Sunday, November 21, 2010
With the first design lesson we started to take inspiration from the Rietveld building. I feel quite overwhelmed by the infinite possibilities that it offers, rich in detail and at the same time simple forms.
Now almost a half year has passed but I still feel like I have only just touched the surface. I could go on for years getting inspired by him, he may have already become one of my idols.
We were asked to design a garment, inspired by the building, but also a practical piece of clothing for students or/and employees of the Academy.
I thought about the transparency of the building, which Rietveld used so that the students can spread freely in the premises to work non distracted. To connect the inside with the outside was his clear intention.
So I started with a pinafore with coated fabric from which the water or paint of the working students can drip off. In the front I placed a mood-board, like a display out of transparent fabric which you can use to demonstrate your current interest (connecting inside and outside). You can put a picture inside or you show your naked body, if you`re proud off it.
A detail that I wanted to use were the white brick walls at the front of the building, which protrude 15cm from the glass. Rietvelds intended each material to have its own space. So I made two padded retangles out of a white fabric. They can be used as a pad and at the same time as a pillow on which you can rest in the meantime.
I made a second piece because I also wanted to work just with an all-optical process without any useful effect.
I took the gray vertical bars that crossed with horizontal rows of far reaching windows. I tried to create something that respects the human body with the delicateness of transparent and thin lines. Translating the skeleton of the building in a second skin.
Saturday, November 20, 2010
Because Rietveld’s architectonical designs don’t inspire me that much. I don’t like the straight shapes he uses most of the time and the sober way of designing his buildings. So it was quite a task to pick one. So eventually I picked ‘van Slobbe House’ because it was build in a hill halfway. And because most of Rietveld’s buildings are build on flat ground I found that part interesting. And Rietveld used the fact that it was built on a hill in a very smart way as you can see on this picture. On the left image below you can almost see the building ‘float’ of the hill.
With this as a starting point, I continued with a certain aspect of Rietveld’s way of thinking; the placing of a window. This was a very important to him. He never placed a window out of the blue. He considered the surroundings sincerely and looked for the best view. And there he placed the window and considered the size of the window depending on the view. This thought interested me. So I went on with it. My first try was some sort of bus stop with different sizes of windows as you can see on the image above.
During an academical trip to Valencia Spain, I found out that I don’t have much affinity with modern architecture [x]. ‘Old’ architecture drew my attention much more. I had more affinity with that kind of architecture. And especially churches interested me because of their unique atmosphere. It felt to me that older buildings had much more of a soul. But where does that soul come from? The answer I from the windows and the old material they we’re made of. The way light falls through the stained-glass windows. Where churches are famous for of course.