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"material" Tag


Why Make Carpets?


Sunday, December 4, 2016

 

The designers Bob Waardenburg, Marcia Nolte, and artist Stijn van der Vleuten are the collective We Make Carpets, who are represented with the pieces Stirrer Carpet, Cocktail Carpet 2 and Umbrella Carpet 2 at Dream out Loud in the Stedelijk museum Amsterdam.

Umbrella Carpet 2, 2015

Umbrella Carpet 2, 2015

 

We Make Carpets create both big and small patterns from simple products, such as cocktail stirrers, paperclips, candy bars and spices. They manage to create these patterns and structures, that is not only pleasing to look at but they also question how we see these products, by finding the beauty and characteristics within each material.

In all their work there is a clear systematic process. It is important when selecting a material that it relates to the location where it will be exhibited. It has to suit the place and/or theme, since both the space and material will influence one another. Most of the time they won’t even manipulate the material at all.

Then comes the question how to place the material. I think it is important to remember that the qualities of the material will decide a big part of how the pattern is going to look like. For example in Straw Carpet (2014) where the straight shape of the straws guides the pattern from the center and outwards.

 

straw 1

Straw Carpet, 2014

Straw Carpet, 2014

 

Carpet Carpet, 2015

Carpet Carpet, 2015

 

In one of their later works (Carpet Carpet, 2015) for the carpet factory Ege the group used leftovers from the factory itself. They collected 3500 cutoffs from actual carpets to create a carpet that covers the floor and one of the walls in the exhibition space.
What makes this piece interesting is that all these cutoffs come from different carpets, which makes each piece to stand out in colour.
After counting, sorting and measuring the pieces, the group could eventually find a way to puzzle them together by making a pattern, divided by white carpet rolls, to avoid getting a blurry mess of colours.

 

They also experimented with other materials, like in the piece Forest Carpet (2009), where they bring in materials from the nature into an exhibition space.  This is actually their first carpet together.

They also experimented with other materials, like in the piece Forest Carpet (2009), where they bring in materials from the nature into an exhibition space.
This is actually their first carpet together.

 

Their 6th carpet, Brick Carpet (2011), was made from 40 000 bricks and measured 42 x 70 meters.

Their 6th carpet, Brick Carpet (2011), was made from 40 000 bricks and measured 42 x 70 meters.

 

Connecting these objects even more is that they are so useless most of the time. They are at the bottom of our consumption list. For instance, we only buy paperclips because we might need a few of them, and we don’t even notice how beautiful they really can be.

We Make Carpets really see the beauty in recycling, as shown in Bottle Carpet (2012), a project that appeared at Maroccos Taragalte Festival. The work is made entirely of empty plastic containers of various shapes and colours to comment on contemporary consumer aesthetics.

 

Bottle Carpet, 2012

Bottle Carpet, 2012

I find it really interesting that We Make Carpets are using different products/materials for nearly every carpet that they make, and yet they always end up with a great result. They seem to know what possibilities and limitations there is within each of the materials, and it makes me curious to study the material itself, since I think it’s obvious it can be of importance.

Though their systematic way of working, without manipulating the materials too much, does not fit me very well, I still like the idea to create new patterns like this and I would like to explore this method in my own way, to find out what I can learn from it.

I made a few tests with leaves, painted A4-papers and rubber bands, to try and find out what unique characteristics they have.

gummigummi cola

papperpapper 2

After I spent a little time with these few products, by collecting, sorting and observing, I definitely got a better understanding of the importance in both quality and quantity of each material.

löv 2löv

löv 4

The leaves even ended up as an additional element for another of my projects.

There are big ambitions in We Make Carpets work and they seem to have an optimistic view on the future. There is some kind of sarcastic feel within the materials, and how they use them, that tells me there is hope that everything will be environmental friendly and people will be healthy, with no littering, and that this can only be reached if we really start to look and question those products that we as consumers are purchasing.

Personal Mass


Tuesday, May 12, 2015

I decided to visit a glass factory, I met Just who controls the machines that generates 200.000 beer bottles per 8 hours. I wanted to see the mass production of daily glass objects, wine glass, beer bottles etc. The contrast between the two images that glass has: The cheap, functional mass product and the crafted, expensive, complicated, cultural acknowledged glass, was clearly visible in the factory visiting the production part and the craftsman department. Both in the same factory, two completely different stories.
I decided to learn to make my own hand crafted beer bottle to combine the cheap image of a beer bottle with the expensive one of crafted glass. This process was longer, intenser, more impossible and way more difficult then I ever thought. In the end this process, of searching for  methods getting to know the material (a little bit) and working together with all the elements that need to be just right in order for the glass to do what you want it to do, took over the functionality of the bottle.
You work in service of the glass, if not it will master you. I had to adept towards what the glass needed, the time, the pressure, temperature. I could wish for all that I wanted but there was only one way to go. The focused and calm research of the glass. It feels silly or a bit like a cliche, but the glass forced me to work in a way which I often try but where I also often fail, it made me really be in the process.

 

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Measuring the bottle  Blow a bubble Take glass two times

Blow

Shape it Glass to thin at the bottom Broke when putting in cool down oven Blow a bubble

                                     Take glass two times

Blow

Bubble a bit small

IMG_1144

Shape it

When putting in the oven    Broke

Blow a bubble     Take glass two times   Really hot Blow   Bubble a bit small     Shape it     Put in oven  Heavy

Blow a bubble        Shape it         Really thin glass      Broke when putting in the oven

 

Get a piece of colored glass    Blow a bubble     Take glass two times

 

 

IMG_1149

Shape

                             Blow

                                                   Shape
Bottom to thin
Broke when putting in the oven

Get two pieces of colored glass  Mix them Blow a bubble   Take glass two times

Shape

Blow

Shape

IMG_1143

Open cold wind

Glass cools down

Falls off

Broke

 

Make shape in sand  Make sand wet Poor glass into shape  Sand to wet starts to boil  Making a glass volcano

IMG_1145

Making a mold from plaster  Get glass  Blow a bubble More glass                 Blow  More glass  Blow  More glass

                                                                                                 Blow

Turn a lot

Shape a bit Wait for perfect temperature Open mold Let the mass sink perfect timing closing the mold

Press mold as tight as possible

IMG_1330

Blow

Blow

Blow

Blow

Blow

Press

Open mold Take out the glass

Cool a bit

Make a cutting line Glass to cool for cutting line Broke

Fall down Transfer to cool down oven asap

IMG_1337

Blow Turn a lot  Shape a bit Wait for perfect temperature

Open mold Let the mass sink Perfect timing closing the mold

Press mold as tight as possible

Blow

Blow

Blow

Blow

Blow

PPPPPPPFFFFFFFFF

Press Open mold                 To little glass and to cool                     Take out the glass

Cool a bit and Transfer to cool down oven asap

Get colored glass Making a mold form plaster Blow a bubble

Get more glass Blow   More glass Blow   More glass  Blow    More glass

                                                                  Wait

IMG_0024

turn a lot Shape a bit Wait for perfect temperature Open mold Guide mass of glass bubble into mold Let the mass sink Way to hot and to much glass Drops quickly to the bottom Try to safe glass by pulling the pipe all the up                Pressing the mold

Blowing

Pressing

Blowing

pressing

Glass goes trough the sides of the mold Open mold Glass still soft

11231705_10152962643988931_110610957932174378_n

Rest glass on floor get gloves Pick up glass  Bring to cool oven

 


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