The meaning of political issues in modern society is overwhelming, and the policy influences on Art as it has never done before. As far as we are able to refer our reality, that we have now, to the images of the past, we can clearly understand our society’s statement. De Stijl by 1.1928.8 “Wendingen Beeldstatistiek / Sociologische Grafiek” depicts a lot of political and sociological drawings mostly based on issues of the beginning of the 20th century. Supposedly, trying to fight everything old and well-established. The in that issue well-presented artists, show without hesitation a wide range of problems, by using sociology and statistics as a way of inspiration.
What i like the most about them is their honesty to themselves and the impudent way of story-telling. Also the graphics themselves are impressive a lot more than modern one’s as i think they creates their own value. Everything what i mentioned we can fully see in Franz Wilhelm Seiwert work “Massa” . Of course something will be still missing, and that’s why i like it the most, because being truly political, it stays neutral in a certain way. The word “massa” basically means “crowd” and what we see in the picture it is a crowd, but what is crowd seen as a political issue? Massa becomes more than just a synonym, it gives it much deeper meaning, you don’t need leaders, bombs etc. to show the initial blind and violent power in the world, when people become pixels, being strong and weak at the same time. It is also amazing example how title can develop the whole idea.
I think everything that makes it so simple and scary strikes me the most, and of course in that case it works extremely well, but I also can not help but notice the value of the other pictures in that exact issue and most of them being drawn by different artists from different countries somehow relate to each other, and that is amazing as well. have a look…
Wendingen 11-9 1930 Rijksacademie Amsterdam