Standing in front of the works of Jan Tschichold, I felt suddenly something very familiar arising within me. An old memory dream-like of the time I studied graphics in the Academy of Fine Arts in Warsaw. As for those days, it didn’t really feel right, however now suddenly it all made sense. It occurred to me, like a missing piece of a puzzle being found, a key to connect those days to „today“. At once I could see all the rules of typography an graphic design emerge within the posters. Like hidden signs, which were not an obstacle. Rather a guideline, a common sense of beauty and harmony. I wondered, what a keen invention graphics was, to connect these powerful mediums of language and image in such an expressive way. I mostly felt attracted by his poster for „die Konstruktivisten“ (Kunsthalle Basel, 1937). I really felt for his taste of color. But mainly, for it‘s almost Zen-like minimalism and harmony. How he perfectly combined the constructivist form, the simplicity and silence. Admiring this poster I just realize how much I have to learn and how far away I am still to any perfection.
read more in the linked pdf “FRESH TASTE OF PEPPERMINT”