The composition of the ceramic vases Belgian artist Rogier Vandeweghe and vases Dutch artist Jan de Rooden.
Firstly, I’d love to explain why I’ve chosen ceramic vases for this essay. I imagine how the fingers are buried in soft brown slimy mass when I am thinking about creating a vase. I remember a few stories associated with clay from childhood. I grew up in a village. I loved poking around in the mud, but I had a special passion for the mud formed after rain on the roadway. Vehicles in the village – trucks, and the land under the wheels was pressed carefully because of heavy machine. As a soft mass, it was very pleasant to touch. Mud was becoming really strong as soon as it started to dry. I loved to do the round cakes of this manure. A day after i used to threw them on the floor and watch them breaking into pieces. This is the first thing I imagine when I’m thinking about ceramics. It seems to me very important to understand people, what events have affected them, how their personalities formed. An artwork produced by the artist containes all the information about his life, sensibility, condition. That’s why I’d love to highlight some events in the biography of Rogier Vanderwede and Jan de Rooden.
Born in 1923, he was the youngest son in the family. They moved a few years later to Beernem. From 17 to 23 years old, he studied at the Art Academy in Ghenthe. In the year of 1974 he was followed by a short internship at Joost Maréchal. In 1948 Rogier formed a business with his elder brother on the basis of fathers larger company. Their studio was named ‘Perignem (Latin for “through the fire”). In 1954 he married in the Church of St.Anne in Bruges on Maryanna Pyck (the collection vase that i chose called: Rogier Vandeweghe en Maryanna Pyck). Maryanna worked since 1952 as a ceramics painter at Perignem. As soon as regular production was established, Rogier decided to change direction towards a more modern product. The cautious, rather conservative attitude of Laurent and especially of Cecile Roets, which is in complete contrast with the radical and total renewal sought by Rogier, are the direct cause of the rupture between the two brothers in the summer of 1956. In 1957, Rogier Vandeweghe didn’t pay much attention to make his first ceramic production. In some cases, his wife Myranna Pyck painted the initials “RVDW”, eventually adding “Sint Andries”, with cold enamel after the firing. Soon however, Rogier adds this mark with glaze. In 1960, the workshop is named “AMPHORA».
Jan de Rooden Born in Nijmegen in 1931. When he was 5 years old his mother died. From 6 to 14 years old, he was admitted to Elementary School of the Heilig Landstichting. The landscape around us formed a beautiful country to grow up in. “In November 1944 I left home for the Passionist monastery in Mook September 1952 I became novice in the Passionist monastery in Pey, but after nine months I left the novitiate forever. Ultimately I could not reconcile myself with life in a monastery. I found that life too cut off, too safe and too well-provided for. ” As autodidact he started working in the studio of ceramist Lucie Q. Bakker in Amsterdam in 1956, and in 1958 started his own studio with Johnny Rolf with whom he later married.
Rogier was studying in artistic school and Jan at theological collage. But the story of the two artists is like when they meet their women and begin to follow their way.
I feel a similar sense when i am looking at the vase, I find something natural in that. Vases Jan de Rooden remind me about the forest, the surface of the vase is like a bark of a tree overgrown with moss and seabed, shells overgrown with silt. Vases Rogier Vandeweghe remind me of the mycelium, or forest spirits, or rocks. I like that he used black clay, I’ve got a association with caves and coal mining. From vases is completely different. Jan de Rooden used a simple sealed form. It gives a sense of confidence and stability, which in combination with glazing, creates the effect of natural stone. Rogier Vandeweghe several vases connects one composition and shape of these vases is like a bottle, but shorter, with a thin neck and a narrowing nizu.eta composition looks like a beehive. The Rogier Vandeweghe vase can be used rather only as an object, and the Jan vase may well accommodate some flowers.
In conclusion I would say that the facilities are beautiful.