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"tattoo" Tag


Old sailors do not whistle!


Friday, May 20, 2011

Old school sailors

My class-mate Olga makes beautiful old school tattoos with markers and colorful felt-pens. Maybe for her graphic hand or maybe because she was for a year on a sailing ship, the Falcon.


Roses, sacred hearts, daggers and anchors are her favorite subjects, exactly like the Old School style tells. Black lines draw easy and round figures that have to be filled with solid colors. Thanks to the sailors coming from exotic places (like the Philippines where Olga’s family come from) during the XVIII and XIX centuries who had contact with different tattoo arts and cultures. For sailors tattoos were a sign to remember adventures and reason to tell stories. In the beginning of ’900 the tattoo practice started to arrive in the western important ports with the same sailors were opening small tattoos studios. Sailor Jerry (1911-1973) is the initiator of the style in Honolulu
in a notoriously neighborhood, frequented by the best names in prostitution and crime and, as always, by the well sailors. What shock me most of the Old Style is the elastic feature in design that from aggressive and poetic can become sensual and delicate. In the western society it easily changes attitude being used also from elegant women in visible and provocative places, maybe trying to imitate the sensual free body language of the same sex over ocean.

picture of William Vander Weyde, (1871-1929)

From my researches one of the first country that adopted tattoos was England, from the sailing in Polynesia, in the middle 18th Captain Samuel Wallis, French explorer, was one of the first to write about tattoos: “universal custom among men and women to get their buttocks and the back of their thighs painted with thin black lines representing different figures”.
The polynesian women were having their first tattoo at the age of 12. From that point tattoos were defining roles, position in society and head also religious meaning. The design of Polynesian tattoos was a Tribal style: geometric forms and stylization from natural element. It was really different from what we know about the Old School style of the sailors. I didn’t understand exactly what was the western approach to the indigenous culture in the case of tattoos and what european people kept from it. I think they were really fascinated by the act, painful and beautiful at the same

time. Looking at pictures of european and american women full of tattoos at the beginning of the 1900, i was thinking about their role in society, how was possible at the time of the “belle époque” to look like a polynesian? I didn’t find a lot, but in one of the most famous example there’s Nora, daughter of Martin Hildebrandt who in 1846 opens the first U.S. tattoo shop in New York City, servicing from both sides of the Civil War. Nora, rises to fame in the 1890s when she tours with the Barnum and Bailey Circus as the Tattooed Lady.

[by Sara Cattin]

Never on a Friday

Not a gem of the Amsterdamse School, the HMS Falken nevertheless originates in Dutch craftsmanship as a ‘Schoener’ first set afloat in 1947 and still sails the Seven Seas. The term or idea of the Seven Seas was coined as early as 2300 BC, but as many myths and legends at sea, the stories change. However, they do survive. Some might not think that brave and adventurous men at sea waste their time and occupy their minds with silly stories and folklore but more so than anything else – that’s exactly what they do. Sailors are without doubt the most superstitious people I’ve ever met. Among loads of quirky habits and traditions, these are a few does and don’ts you should consider when embarking a ship:

  • Don’t put your left foot down first when going aboard.
  • Sail out on a Sunday when leaving the port, never on a Friday.
  • If you meet a priest, a redhead or women without shoes on your way to the ship – stay at home for the rest of the day, don’t leave the port.
  • Keep a black cat on board for good luck; all other black items are banned.
  • Don’t kill any birds if you run out of food at sea. Especially not an albatross. Birds will bring you to land, but most important; albatrosses carries the souls of dead sailors.
  • Do keep your eyes open for nude women; it’s good luck. That’s also why the figurehead in the bow of the ship often is a female (with one breast bare in good taste).
  • Wear earrings, they will enhance your eyesight. Sailors ought to wear a golden earring in case they’ll drown and get found ashore because it will finance their funeral.
  • Don’t light a cigarette or pipe on a candle, if the candle blows out you’re doomed.
  • Don’t whistle. Whistling resembles the wind in the sails and will for sure call upon the storm.

Keep this in mind and you’ll likely go along with the skipper.


Anne Bonny & Mary Read [x]

[by Olga Nordwall]

swallowing tattoos


Thursday, November 5, 2009

Off course when someone asks me to randomly pick out a book of a small library stuffed with all kind of interesting books, I cannot be random anymore. The choice I will make, will probably say something about my subconscious preferences, and is therefore a tricky thing. And if I look at the books I chose, Tribal Tattoo Design and Swallowing Helmets I wonder if it were my subconscious preferences that took those books, or if my choice is determined by the subjective classification of the library. It is both. But if I look at my subconscious (or conscious) preferences, isn’t that also determined by for instance: our culture, our history and current tendencies?

The book about Tribal Tattoos first caught my attention by its yellow cover. This reminded me about the books published by a Dutch publishing company called: ‘De Bezige Bij’. The fact that I almost took a tattoo about 2 weeks ago has also something to do with it. Why Tribal? This probably attracted me because in my opinion tribal tattoos can be a bit corny, I think that is funny, and I like funny books. The book Swallowing Helmets by David Robilliard caught my attention because of the title, which I think is nice. It is weird to swallow a helmet. Inside it has poems and illustrations, some of them remind me of David Shrigley. The image is a picture of a tattoo made or designed by David Shrigley.

Rietveld Academie Library No: 908.9 din 1 and 758 rob 1

Design linked to Art: Designblog’s New Library Search Engine


Sunday, April 5, 2009

New Tags for the Rietveld Library:

How do you find interesting books when you don’t know what you are looking for? How do you stray through the collection in search of inspiration? Can the library catalogue help you or do you better construct one yourself, Exploring connections in the library between design- and artbooks, students created keywords/tags that linked them together.
a recount of tagging the library

Click the keywords/tags from the Tag-list [purple column at the left] to see all related postings, or use a yellow keyword link [below] to read the postings and experience how they are connected together. Use these keyword links to navigate between the postings!

overview, freedom, animal, elder, identity, intervention, repetition, connection, tattoo, self sufficiancy, structuur, illustration, pyramid, leader, visual language, individuality, playground, best, give, beeld, independent, shelter, West Coast, time, neon, develope envelope, fragile, construction, wisdom, invention, oppervlak, culture.

Why a tattoo?


Wednesday, April 1, 2009

Tattoo’s have been a trend for centuries. For some people it can even become an obsession.

Why would you choose to have a tattoo and what would you be interested in to have scratched into your skin permanently for the rest of your life? That are the questions you should ask yourself before you go to the shop and have a tattoo.

Some people choose to have a tribal, some an oriental drawing all over their back, but why do they choose that and what does it add to them as a person?

For example, a friend of mine has a tribal which he got when he was 16years old. Now he is 27 and he doesn’t like it anymore. So why did he have it actually? Because of the fashionable trend at that time? Or thought he would be cool? I don’t know, but what I do know now is why I had my tatoo. At first I just liked the image but now it has a meaning to me. I choose to have a chinese dragon and I have it on my chest. To me it means that sometimes I have to spit some fire.

I think most of the times a tattoo could emphassis the karakter and individuality of a person, even when it’s something that’s not even meaningful to them. This is why I choose this book.

Cat nr: 7464

keyword: individuality

Decorated Skin


Thursday, March 19, 2009

We consciously recognize  ourselves and our own bodies. This gives the skin a special significance, as the final, slender layer that separates the self from the outside world. In reflecting on ourself and our world, we use for expression.
Body paint is a strong way of expressing. Used a lot in rituals which has to do with birth, death, religion, haunting etc..
There are strict rules for the forms, patterns and colours in a particular culture. There is also space for personal input. These rules gives body pain tan extra layer, value in the way it is a visual language understood by a whole group of people.
Body paint, the patterns, colours reflect the culture and the other way around. Example: In times of war, colour use and patterns change.
Nowadays body paint is seen as primitive by many people. We use make-up to decorate our selves or for expression.
But why don’t we use this potential pure, easy and strong visual language ‘body art’ anymore. I really mean patterns and colours.
What is more expressive than the personal touch?

cat. nr: 908.9

keyword: visual language

E group : textile, medium or subject


Sunday, June 1, 2008

janineweefselJaninetatoo Janine Tielen presents herself and her projects in a special guest meeting with the students. (TXT department)

Textile can be used as a medium for direct communication. That was the basic theme for a cooperative project between the FoundationYears E-Group and the department of Textile TXT. A workshop at Platform 21 and a visite to the Vlisco exhibit at the “Volkenkundig Museum” in Leiden presented a rich and colorfull context for gathering insights and practise skills. more in …… (posting 127)

Boris-Bauhaus sketches Katherine Hamnett and Margaret Tatcher Vlisco fabric detail

Research subjects were related to the various subjects of this project and edited down to A4 sized guided tours into selected subjects. All subjects linked in this posting are also available as hard copy research prints at the ResearchFolders available at the Rietveld library.

On the subject of Text and Textile :Katharine Hamnet (fashion designer), Harmen Liemburg (designer illustrator), Roy Villevoye (artist), Janiene Tielen textile designer). On the subject of Platforms 21 “Cooking and Constructing” the participants; Frank Visser (stylist) from SAP: Daniera ter Haar (colorist), Christoph Brach (product designer), Shane Waltener and publicist Debra Solomon. Related to the Textile department; Erik Wong (graphic designer, Heleen Klopper (textile designer), Joke Robaard (artist), loop.ph (design & research)loop.ph, Petra Blaisse (designer), Fransje Killaars (artist), Scholten and Baijings (designers) and Vlisco (Holland), Batik (Indonesia), Bauhaus Textile, Sonia Delaunay (artist/designer) and Viktor Vaserely (Artist)


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