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Archive for March, 2010


SI Module or total table design


Tuesday, March 23, 2010

SI Module is the portable platform for Applied Arts and Autonomous Design, initiated by Sandberg Institute Applied Arts department.
On a special table a system of modules will be build. The sizes of these modules are variable, depending on the size of works exhibited.
SI Module, was part of Object Rotterdam

three more links inspired by the design fair: Object Rotterdam
1•Odd Designs on Film, 2•Richard Hutten "playing with tradition", 3•Total Table design
The Object Rotterdam excursion was part of the Basic Year "form-lab" workshop

“Prenez soin de vous”


Monday, March 15, 2010

For the first time in fifteen years an overview exhibition on the work of the French artist Sophie Calle is organize in The Netherlands. Central work in this exhibit is “Prenez soin de vous” (Take care of yourself), in which Calle invites 107 women from a ballerina to a lawyer to use their professional skills to interpret an email in which her partner breaks up with her.

Sophie Calle is part of the April 1st BasicYear Design Trip
look for more on Sophie Calle
newspaper article NRC  9/5/2008 (dutch) pdf

INFODECONDITIONALDATA


Monday, March 15, 2010

The screen sees me the whole time while I am looking at it, I am not embarrassed by it, it is neutral, invisible even, I don’t register its existence,
it is just a glowing surface.
The screen is inextricably connected to my life. It is a door that I pull shut behind me, which gives me access to a space where I can disappear. It is my gateway to information, it is my space for communication, it is a space where
I carry out my work and enjoy myself.
I entered into this connection and I am addicted to it.

For 9 months, starting in April 2009, our laptops took a portrait photo through the built in webcam and a screenshot of our desktops every 5 minutes while we were using it. We have arranged and displayed this enormous amount of imagery in the hope that both patterns and details will become visible.

INFODECODATA is part of the April 1st BasicYear Design Trip
more on Conditional Design

Scale 1:15


Monday, March 15, 2010

HUDSON MUSEUM is part of the April 1st BasicYear Design Trip
more on the Hudson Museum

shape


Monday, March 15, 2010

There is a period in everybody’s life where one is still unable to speak. It’s the time, your very early childhood, before you ‘re taught a language. In that period, you look at every object as what it is, not at the function or the meaning it might have. That is a way of looking at things I really like. Later when you’re encouraged to speak, you loose your ability to look at things ‘as they are’, because you start giving names to things. You start naming things and thus start categorising things.


There is a certain kind of break in your existence, from now on you look at things and try to lable it, you don’t see it as an original and unique whatever-it-is any more. The French psycho analist Lacan (who made a very complicated theory about all this) calls this phase the symbolic order as apposed to the other phase that he calls the imaginary order . Very revealing stuff, if you ask me.

Our workshop was about shape, not meaning. The thing as it is, not the concept behind it. An attemt to try and let you look at an object in the way described above.

Judging from the results that can been seen under the category “form-lab“, presenting most of the processes I witnessed, I think it worked at least for some of you.

legs are nice


Monday, March 15, 2010

legs are…











Process of transformation one thing to another is long and full of difficulties…

What if object we chose is so beautiful and well done that we don’t want to change even a single detail?

I think that nature is the best designer*

Object design seems to be separate being. It is living its own life.

In my project, I would like to add simple everyday objects invented by the human imagination – bedside table made part of infinite perfection of nature – human legs.

* ( ok, some small dogs are sometimes a little bit odd ).

Come and read!


Monday, March 15, 2010

The aim of the project was to be capable of using the shape and quality of one object for developing another, completely different object. I decided to use my favorite chair as starting point for the assignment. While working I realized that I couldn’t solely rely on the factuality of forms. Rather I had to work on a more intuitional level; I had to interpret and translate shapes and texture into certain qualities.  I ended up making a bookshelf out of a chair.

Some general remarks on the chair:

  • 50ties
  • The chair can be divided into two parts, namely the seating and the legs. The parts differ in style and function, yet they seem to contrast each other in style -hard and soft, different movements-.
  • The chair is top heavy.

Qualities of the seating:

  • The round shape of the seating gives a sense of intimacy and protection.
  • The round shape has an inward movement that is inviting and suggests openness. It makes you want to sit down and crawl up into it.

Qualities of the legs:

  • Straight, elegant legs.
  • The legs have a vertical movement. The legs are scuffed all around and they seem to narrow down towards the end which also gives them a slight horizontal movement.
  • Breaks with the softness and inviting feeling of the seating.

Left: photo of the chair and the seating. Right: different sketches bookshelf

Left: photo of the chair and seating.
Right: different sketches of the bookshelf.

Idea behind the bookshelf:

  • The round shape and inward movement of the bookshelf corresponds with the seating of the chair.
  • The shape of the bookshelf gives a sense of intimacy and protection, which is also similar to a book cover.

The idea behind the books:

  • The books are placed with their covers towards the bookshelf, which gives one a peak into the books by just looking at them. The placement of the books is a literal expression of openness.
  • The pages of the books are meant to contrast the round shape of the bookshelf, similar to the way the legs and the seating of the chair relate to each other.

As can be seen in the sketches above I experimented with the general form and feeling of the object by placing the books in different ways into the bookshelf. Ultimately I had to conclude that the last sketch (the books placed in a crown shape) is corresponding best to the heavy, warm feeling of the chair. Furthermore the crown shape of the books helps to enhance the qualities and the shape of the bookshelf as they are reversed in form.

Several sights of the bookshelf -the actual result.

van pen naar trein


Monday, March 15, 2010

what is happening


Wednesday, March 10, 2010

how can a line be straight from one angle, and curvy from another?

I turn the watch over and look and turn again.

what is happening?

it is all angles and shapes,

it’s all curves and lines,

its all male and female,

unexpected angles, unusual proportions.

I can keep discovering.

This watch is the property of science fiction classics and uniformed airline officers in the future we will all have microwaves and flying cars

and this desk

The Oily Object


Tuesday, March 9, 2010

Simplistic form, makes me think of suitcases, briefcases, boxes.

4 angles from the front side and back side. 8 in total.

Design of simplistic form. Based on angles.

Obvious similarity with the zippo. Detail from the side put on the top.

Very minimalistic outcome. For me it’s about aesthetics.

Red Glass And Orange Text.


Thursday, March 4, 2010

Deformed Text Graphic element Kikkoman's universe

Transparent
 Deformed letters and symbols when you look through the glass
Reflections

brother and sister

Another object that fascinates me is a lamp.
Today I came to realize that they actually are brother and sister.
Two elements:  Shiny transparent fragile glass - vs - Strong non transparent cap/top
Symmetry    -    yrtemmyS
As less as possible. Form follows function. No extra’s.

Exit

A Sketch

Sketches

Product Follows Form

sketch of how it will look

No extra's: Lamp and switch are now one
Reflections are now replaced by light

The Model

Balance

technical drwing
Logical symmetrical system

(Eventually) two elements: Plastic and Glass

Or four? Lamp and Switch included

Maxell 90 Gold


Thursday, March 4, 2010

For me sound is something mysterious, because I’m deaf. during my childhood I was fascinated by music cassettes (casette-bandjes). People love these things. For me it was hard to imagine.
Something coming out of the cassette that I couldn’t see.
some more interesting elements:
– gold/black – variety volume of lines – symmetrical holes – two hole with teeth – rectangle with round corners – easy to put in pocket – parallel lines–

scale drawing “make invisible visible”

final presentation

Exploring the possibilities for translating the idea into a product brought me to a new space for viewing the designwork. I fell in love with the PET-foamboard material and thin woods. I could change the shape and lines (movement).
During the translating I solved the technical problems/errors that I couldn’t see in my scale drawing. I had to wear the showmodel glasses in order to solve these problems and find the right shape (nose-holding, hinge and degree angles).
I’m happy with my first design product translation from the (inaudible) cassette-band and I don’t mind wearing it.

Spinning spacetool


Thursday, March 4, 2010

What I found interesting about the original object and wanted to use for my own design was the temptation to spin the handle and the hypnosis from looking through the transparent plastic.
It’s a simple and appealing 80′s kitchenware; sharp, round, white plastic meets metal, functional and no I-pod edges.

Sara‘s initial object was her cool black leather shoes (click here to see details), and we decided to work as a team, creating a  cargo-bike by the interesting combination of spinning space and rock’n'roll coolness.

The cylinder shape of the kitchen tool is used for the cargo box, which is made of a metal frame covered with strong white plastic band, braided in and out between the vertical bars of the box, which give the box a mix of curves and straight lines, just like the black leather shoes.

The intriguing contrast of white plastic and silver metal that we find in my original object is transmitted to the bike, through the white handles, cylinder and saddle versus the silver metal frame.

The shoes have a special pattern that we transformed into the triangular part of the frame, which gives the bike a distinctive and cool look, and by biking on it you immediately get into the ongoing rhythm of elevation and falling of the pedals, that makes you continue.

What’s more tempting than to make the wheels spin, by taking a ride on the Spinning Space Bike?

wannabe cool – or actually being cool?


Thursday, March 4, 2010

My black leather boots have a kind of cool “Bob Dylan look”, but for me personally in an ironic way. They look feminine and wrinkly, and feel hard and soft. There lines are both straight and curvy. Everyday they elevate and fall following an ongoing rhythm.

This description of some of the characteristics of the shape resulted in a new

shape, spacebike-model but with some of the same features – a cargo-bike. Especially parts of the pattern in the center of the boots were inspirational for the structure of the metal bars connecting the bicycle. There strict straightnes, but with round tops resemble the ones on the bike. Besides that, the potential of movement in the leather boots generates an even bigger  potential in the bicycle.

The bicycle is in contrast to the boots not cool in an ironic way, but in a more sincere way, being funtional, having an original and simple design and being environmentally friendly.

.

The Poodle Puzzle


Thursday, March 4, 2010

Bad Dog !

you’re so cliché.
i dislike poodles.
it’s not important.

.

.

the shape fits my hands  /  i can feel the cuts  /  a butchers cut  /  i take it apart  /  thirteen pieces   /  interesting objects  /  organic shapes meeting straight cuts  /  male- and female-forms appear  /  mingle them  /  one piece  /  the function dissapears

form is all I have left

.

.

the product is based on one specific piece.

it’s an organic shape beautifully cut off.
the form suggests something is missing.
it belongs somewhere.

.

.

it reminds me of a japanese wooden shoe.

a shoe that can be altered to personal specifications.
able to constantly change the pieces.
creating variation in heights, materials and systems.

.

backscratcher


Thursday, March 4, 2010
 I could feel home and it reminds me some old memories.
decided to make simple designed product.
home feeling backscratcher.

A constant repetition of form


Thursday, March 4, 2010


A task to dissect the aesthetics of my object.
A little machine with rumbling boilers and brass fittings.
A clumsy black rubber knob and sharp metallic lines.
A repetition of lines that make a symmetry of circles, hexagons and octagons.
A simplistic and minimal ripped off design for the shape.
A mass-produced iconic object within the field of industrial design.
A constant repetition of form.

repeat-shape-collage

Waking up, brushing our teeth, our morning cup of coffee.
It’s all part of a daily routine.
The constant repetition of the same shape in every element of this espresso machine fascinated me.
I took that concept and applied it to another object.
The design of the toothbrush is simplistic yet intriguing because of its peculiar hexagonal form.
A form that came into being by a constant repetition of a similar shape.

toothbrush

Semi-dynamic, bit futuristic


Thursday, March 4, 2010

A typical late sixties, early seventies design, used for all kinds of objects.

The strange yellow surface of the briefcase, what probably pretends to be leather, has become dirty because of use. Coloured stencil ink has enriched its surface.

The lemonade can uses this design.

The aluminium will get shiny after frequent use.

The infinite brain game


Thursday, March 4, 2010

The Diagonal Star puzzle is a three-dimensional geometrical assemble made by six symmetrical wooden pieces.

Whether the interest for this object is practical or artistically, the solution is originated in mathematics, and there is only one way to interlock it. Fixing the six modules in to a pair of two mirror-image halves.

An interesting point of the visual part of this object is that if you look at the side of one module it resemblance a rectangle.

But when they are all assembled the form fits into a cube

.

Using the shape and measurements from the surface of the the Diagonal Star, a new sort of  “game” can be created.

It is made out of eight interconnected paper cubes, that can be folded in what seems at infinitive ways.

It starts out as a black cube.

From this point you can fold it to a white cube.

When you divide the cube, the new cubes can be transformed into two diagonal stars, with the exact same mesurements as the diagonal star puzzle.  Therefore, either the black or white cube/star can contain the wooden puzzle.

The pleasure of the endless transformations in these new shapes can be a big inspiration for further research and design on product/interactive objects.

BALANCE


Thursday, March 4, 2010

Yes, these parfume makers sure know how to do it.

ORGANIC CUTS  GOLD  PINKISH HUE  CRYSTAL  PRINCESS  LIGHT HEAVY  BALANCED

What interests me is the part where the glass meets the lid. And the relationship between the glass, the black in the logo and the gold of the lid. It’s about absolute balance here and the elements chosen.

It’s also a big pleasure to hold it. Size matters a great deal.

I made a little watch out of it.

A watch that you always want on your wrist, that’s a bit elegant but still earthly and organic.

The most important task was to create balance between gold, glass and leather.

I chose a small scale with the width of only 2,5 cm on the widest part and the height of 2 cm, regarding to the fact that the round circle on top should only stick out in a convenient way.

As you can see, the difference in functionality of the bottle and the watch made me switch the components around. There could also have been all sorts of other variations of the elements I liked in the bottle but it all evolved so naturally that it probably had to do something with balance as well.


All in All: We’re just Volumes


Wednesday, March 3, 2010

Mr. Henk just loves his iPhone. Mr. Henk just loves books too, but soon there will be the iPad. The iPad may mark the end of the book as we know it. So all good things must go, and in a few years graphic design won’t be the same. Guttenberg’s Galaxy has stood out for centuries, with the printed book as the ultimate vessel for information, but through cyberspace we enter a different world.

It’s kind of sad, but inevitable, or is it?

“It just doesn’t matter,” Mr Henk replies.  ”A book is an iPad is a volume. Period.” I’m a bit surprised by Mr. Henk’s reply. I thought in graphic design you had those I-will-only-work-in-print-and-I’d-rather-die-than-do-websites-people. But apparently Mr. Henk likes the feel and smell of paper just as much as he is touched by his iPhone.

I picked up You Shall Know Our Velocity by Dave Eggers from my McSweeney’s bookshelf as my favorite object.

“Now did it become an illusive project from the start, as you selected a book as your object?” Mr. Henk continues.

Well, I don’t know…

Apparently, you have those you-shall-only-design-from-pure-form-and-only-that-product designers that don’t use text. I don’t mean to be rude, but the pure forms that come out of that won’t get Plato out of his cave. They are forms without ideas. You get the usual design stuff, like vases, chairs, lamps. Stuff you can get at Pols Potten, right?

Now, if you add text, you might get good concepts as well. You might get design I really might get attached to, just as Mr. Henk loves iPhones.

So then I read Timothy McSweeney had died (who is: The Ballad Of T. McSweeney). To me – one who still reads and runs – the form became all too clear. A book is a volume is a box and so is a body: they’re both volumes of content. So I chose to make a box out of cat litter because it resembles the ashes of the deceased. Ashes to Ashes becomes form to form, quite cradle to cradle that is, closing the circle

boekendoos

boekendoos

World goes round


Wednesday, March 3, 2010

the stand is not straight under the globe this gives it a strange dimension, it looks out balanced/    crooked. It changes its and it can not move like it could with out the stand, now it is directed and only has one possibility. it can not move like a ball can, because a ball is not held  in position.

I made a lamp or a clock, it doesn’t give light but shade. It makes use of light by creating shade , the same game a lamp plays.

it makes use of something else to function. shades change.

It’s no longer a circle, I made the ball flat and changed it’s possibilities in an other way than the stand does, it can not move like a ball.

It refers back to the ball but isn’t the ball,  this is the same for the globe.

Hello Function


Wednesday, March 3, 2010

Organic form, double-sided symmetrical, built by thread, and spheres of different sizes.

It is an open structure, because of the flexibility of the thread the object is deformable but the structure remains the same.

Handmade Chinese decoration for your mobile phone ore key ring, i like that it is handmade.

What i don’t like about the object has nothing to do with the shape, only that it has no function, only decoration, useless for me.

What i find interesting is how the excisting shape is build and has a structure that can grow or deform.

What wanted for my design is that it must have a function, that the shape has also a structure that can grow or deform,

After having seen Edward Burtynsky’s “Manufactured Landscapes” which contain some pieces about abandoned products, it inspired me to juse trash as material and make a trashcan, i went for two days around the city looking for trash.




Curvaceous


Wednesday, March 3, 2010

Part I

The object in which I’ve stumble upon, has no more than refined curves. The sensuality that carries its shape generates pleasure to the eyes. It invites you to caress its smooth curves and smell every inch of its pronounced surface. Once you’ve done it you will not want to be without it.

Part II

After having looked at the different characteristics which I found interesting in my previous object, I’ve decided that I will be translating these into a chair.

It’s simple, smooth and distinguished contour seems to be a match to the outline of the human body, as if it was the missing piece need to complete a big jigsaw puzzle where the body was the main feature. Such complementary piece seems to be a perfect fit for the curves that characterise the human body. Extrapolating this figure to a seating device for the human being seems a natural step as it adopts the forms of the human body providing an anatomical chair, which provides natural and resting support to the body.

(Dis)appearing


Wednesday, March 3, 2010

Excavation, Adidas Spezial and Mondriaan

Sonny Boy


Wednesday, March 3, 2010

I like boxes. Small boxes, big boxes, secret boxes. The fact that I can put something inside, hide it, and get it out again is magical to me.

This particular box is my favourite. It is a small tin one made in 1980 to keep your cigarettes from crushing.

I like the worn out look, faded gold paint and the scratches. The old and nostalgic look and feel of the little box. The very simple shape, a flat container part and a lid, all made out of one material. The only part that is not made out of tin is the pin that connects the lid to the box.

That connection part is simply some bent tin and that little metal pin. And it works really well, for 30 years already. I also really like the curled edges of the lid, that make it seem fragile, but actually make the box more practical.

The way the tin is bent to get the square shape reminds me of the bending of an enveloppe, or a sheet of paper. I think it’s nice that such a solid and sustainable, decorative and unnecessary little object has such a humble and straightforward feel and look to it.

From these points of liking I decided to make a suitcase, with a similar simple feel to it – exists out of one part (except the handle) – deals with the way an enveloppe is bent or folded – is clearly a suitcase – and doesn’t look so very new

I designed a suitcase with the size and the handle of a traditional attaché case as we all know. To the opening and closing of the suitcase  I applied the aspect of the bending of an enveloppe which I like about the Sonny Boy box.

Because of  the bending-instead-of-lifting opening system the suitcase could be made out of one part, and in order to open the suitcase you unfold it.

spin spun spun


Wednesday, March 3, 2010

Form did not follow function.

This exercise device that is designed to keep your waist in fantastic condition is visually something that could be an illustration or of decorative means in its most minimal way by being almost two-dimensional.

Its rounded corners on the edges and the repetitive voluminous circular lines add a wavy aspect to the object and give it air and continuity.

Taking the two above mentioned aspects and consequently use these principles as a departure point, designing headgear seemed utterly natural. The sort of headgear that would follow the shape and size of the head, but eventually alter its original state.

the easiest solution


Wednesday, March 3, 2010

The tailor L-square ruler is only a tool, its design is completely determined by its use. No colors. No plastic. No juts. No fuss.

I got the advice to choose another object and instead use the ruler to make the product.

Thought of making frames and bracelets, of cups and calendars, but none of them could exist in a 90° shape without being a concept or contain a story.

So, what object can have the same language as this ruler?

It appeared to be as simple.

A table out of metal, no fuss. Constructed according to the same minimal rules as the ruler.

One material. Straight shape.

And measurements.

There is exactly enough room to eat

(if you’re small).

Shape beyond functionality


Wednesday, March 3, 2010

Shapes contain shapes.

This pipe is a monument.

The company designed the pipe to be feminine. An infinite triangle, with an elitist and delicate exterior shape, but at the same time graphic and geometric. Frail but strong.

A woman.

The pipe contains more shapes in the shape. Pipoo 8 has three shapes. The lower dark trapezium made of briar, the transparent upper part made of acrylic and a black plastic cylinder.

We can admire her. How two different materials become unified shapes that contain inside the black cylinder, making a unity of one strict object. There is no possibility to change it, I must accept how it is.

About 15 cm long, it can become part of your body but you can also compare it to a Bic, looking like something alien.

It’s gorgeous.

This is not a vase. It is Carnival.

The vase contains more shapes in a shape. It has three shapes. A wooden rectangular with sharp edges leaning 8 degrees towards the right. A fluorescent green rectangular with rounded corners made out of cardboard, whereas its centre has a phallic transparent glass.

Mike Kelley once said: “With my work I not only want to reach the most educated viewer, but the most lazy viewer as well”.

About 44 centimeters high. Screaming for attention. One cannot avoid the sight of this illuminating green situation.

It’s a glossy disaster.

made you look


Tuesday, March 2, 2010

I chose a bike. A bike which colours I find hideous, leaving me no option but to rely on shape alone.

Trying to get something out of it I tried to draw the bike over and over again, varying sizes or distance between the individual elements that construct the whole. Then I did a gestural drawing of the bike.

My eyes constructed the shape in front of me, following the bike around it’s wheel, to the seat, which pointed ahead at the handlebars, which steered me, because of the slant of the bars, back to the wheel and the cycle continues. They don’t flow into one another; the elements point, circle and swing constantly towards each other.

The design literally becomes “eye-catching” not allowing me to escape; I have to analyse the object. Even an attempt at escape is  useless as I would only slip back into the shape because of its properties.

An intriguing notion, an object that makes one look, if even for a second longer.
This principle I tried to follow, to arrive at a functional design, but before I completed it, something different happened.

I became intrigued by shape.

The object wasn’t eye-catching, it became different.

It showed so many possibilites, so many open doors that were immediately closed before a new one was opened.

I tried following the same idea, but in this case, I wasn’t intrigued by how the shapes were relating to one another. It offered something new; instead of the shape immediately telling me of an object, this one was like a puzzle. Or like kaleidoscope. Or even like a mirror.

I projected on it. It was telling me stories.


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