Skip to Content Skip to Search Go to Top Navigation Go to Side Menu


"Uncategorized" Category


Bringing Intuition to the World of Algorithm


Monday, May 15, 2017

IMG_1021

The online realm is one that is primarily and increasingly algorithm-based. With the growing use of the internet, the integration of our physical bodies with our technical devices, our access to the internet, algorithm is starting to take over our intuition. The more we use the internet the more we depend on algorithm and the less our intuition is trained. Sometimes I reach-out to my intuition in cases where algorithm could have brought a better answer, sometimes I reach out to algorithm in a case were intuition is much more fitting.

Today, I am going to bring intuition into a virtual space in which algorithm is the standard. I am going to do a simple PPF – past, present, future- tarot reading to predict the state of the Design blog over three periods of time. After I apply my own intuitive knowledge of the reading to the post I will include the relative tag words to the post to create a calculated and contained interpretation, more algorithmic, perhaps more indicative and fitting.

IMG_1019

 

 

The first card I pulled in the past position is the EMPEROR.

Emperor

The Emperor implies a controlling and organizing expression. He follows the Empress who is pure creative energy, flowing and care free. He also embodies that creative energy but does so by managing it in a way which provides structure. Where the Empress is totally engulfed in a mess of energy, the Emperor- like the tag words- are direct and organized. I always compare the Empress to Art and the Emperor to Design. Pulling the Emperor in the Past position here, implies the Design Blog’s beginnings were introduced by someone with intensions to or with a need to establish a system in order to share creative energies.

 

The second card I pulled for present position is the SUN.

19 - sun copy

The Sun is about being bright and fresh. It implies a time when vague ideas become clear. For present of Design Blog, I would say this is implying a time when its intentions are clear. The connections and intentions set up by the Emperor are now thriving and totally obvious. It implies that maybe there was a time in the past when its state was in a jumble, but that time is over and the Design Blog is in its prime.

 

The third card I pulled for the future position is the WORLD.

21 - world : graduation copy

The World card is the last card in the tarot’s Major Arcadia. It signifies an ending, a completion. Pulling The World in the future position is a very positive sign, as it implies that the Design Blog will continue to flourish in the Sun until it is totally complete and whole, and not a second before then. The design blog will never simply die out, like would be indicative by the Death or Tower card, but it will continue strong until it is time to evolve into something more advanced. A possible future outcome could be that the Design Blog evolves into something more fitting with future technologies.

 

A short conversation between me and my predictive mother


Friday, May 12, 2017

Me: Mama, I’m laying in bed with fever. I caught the flu. Shall we maybe Skype later today?
My mother: me too and I think it’s time for a little more time to think about how I feel like to be a good mother.
Me: What do you mean?
My mother: my friend and my friend is the best friend and she was just so nice for you and me and my motherly motherland.
Me: Are you with her now?
My mother: my friend is a very nice person and she is really amazing. Yes let’s do this for you and me to be sure that you will be the best and most important thing to me.
Me: Is everything ok with you? I have the feeling that you are talking a bit strangely.
My mother: Me too and yes I’m sorry but it’s not really like that you don’t want to see me. You have a good time and then we can talk about it again maybe? I love you.
Me: Mama? You are scaring me. I want to talk with you now.
My mother: And I don’t know, what she would do if it was really bad but it was a really nice idea and then we maybe would be a great ideal.
Me: What?
My mother: me and my friend and she was so happy about it and now I’m just not really sure what to say about the other people.
Me: Stop!
My mother: When I see you and your sister I don’t know what to say to you but I’m sure that I can make it a good day for you too thank you for making me feel so amazing.

This dialogue is created with the predictive keyboard function of my iPhone everything that my mother says is Text that is only created by clicking the suggestions that appear on my screen. Even “My mother” are two words suggested by my iPhone. The parts that I say are my reactions to the generated text, acting as if it was my mother.

Im feeling


Thursday, May 11, 2017

Romantic                                                                                                                  Young

                                 Super cool             Naive                               Dominant

        Glacial

          Sneaky

                 Punk                                        Plastic

           Hidden                                        Oversized                                                  Old

         Removable                                                            Fragile

        Bloody                                                                    Revolutionary                                   Immaterial                                                    Pink                                                                      Homeless

     Small

                    Heavy                                         White                              Monumental                                                     Attracted                                                                Blank

              Tiny                                                                                       On-time               Slow

                  Eatable

                     Dreamlike

    Old-fashioned                                                                     Evil                      Digital                          Tijdloos                                                 Shiny

     Superficial

          Material                                                                       Playful                                             Basic                                                      Sorry                                                     Smoking

                                 Temporary

    Joyfull                                                                    Mad                                          Simple

            Grey

                      Porcelain                          Content                                    Extraordinary                                                          Insecure

      Sublime

         Ice-cold                                                    Dew

                    Unseen                             Stuck

                                                                Adaptable

   Cross                                                    Fluffy       Childish                             Primal                        Tacky

        Blue                                                                     Cliché

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We are in this together


Tuesday, May 9, 2017

Writing for the sake of writing

Make a blog post about nothing or whatever

Here are random connections to random posts on a blog that everyone is obligated to update. Why? Just because. Do you ever read anything because you have to? When does it happen mostly?

School? Aren’t you studying what you like? Aren’t you supposed to study what you like?

Work? Yh you had to work somewhere. Those readings are probably boring but you need to eat and pay rent so here we go. Capitalism. Sigh.

Government mail. Can’t read those though, they’re all in Dutch. “We killed the tree now it’s your turn to struggle. Folded in half. Eight fold. Figure it out somehow. Or don’t. Whatever. Couldn’t care less. Careless.

I am sorry if you’re reading this because you have to. I wish you didn’t. But bear with me. We can power through this together. We will come out of this different. We will learn something.

I am not going to teach you though. You can only learn yourself. Ask yourself questions. Or don’t. Don’t ask questions if you don’t feel like it. Listen to your body. That pressure you feel on your chest? That fire you can’t put out, your back burning, pay attention to it. Relax. Use this moment to listen to yourself. It is hard, Everything could be hard. Sometimes its hard to leave your bed, I know that way too well. Sometimes working two shifts in a row is not as hard as making yourself some breakfast or picking up that paper from the floor, that has been there for a month.

Don’t be hard on yourself. Accept your weakness. You don’t have to love yourself. Its great if you do, but don’t be hard on yourself if you don’t. One day you will. You don’t have to love yourself in order for someone to love you. I love you. Just for you. For you fears and struggles. For your carefree attitude. Or absence of it. It’s ok to care. Its hard but you’re gonna be fine. You’re special. You’re unique. You’re so cute when you laugh. I don’t have anything funny to tell you right now, though. Kinda feel guilty for it, sorry. But I will learn to accept it. One day. One thing at a time. Or after ten thousand times. Lets change together. Its ok if you don’t want to. It’s ok if you did. Every thing is different. Every day is different. Every day you’re different and the same in a way.

All the bad and good is in you, you don’t have to look for it anywhere else. Just take a look inside. You also can take a look at someone else. Its fine to look up to people. You’re someone’s hero too. Somebody looks at you and realizes they could be better. Sometimes they don’t believe it because of how awesome you are. They should read this post too. But only if they want to. It is also ok if they have to. I hope they feel better after reading it. I hope it could make you feel more at ease. It’s ok If it couldn’t. Sometimes we can’t help but worry about things. This world is stressful enough. We just have to navigate through it. Do you know that just looking at you could make somebody’s day better? You look so radiant when you feel inspired! It’s contagious! Its ok if you feel shy for people looking at you. Don’t worry, they are in their own heads. It’s ok if you feel shy anyway. It’s ok if you don’t want people to look at you. I respect your desires. You’re a great person. But you don’t have to be great to be respected. You deserve love. You deserve peace.

It’s ok if you like when people look at you, you deserve to be the center of attention. You’re such a fun and outgoing person when you feel like it. Sometimes you don’t and I appreciate that. Everyone needs time for themselves. Some people probably don’t. But you do you! It’s important to recharge from time to time. For you it may mean all the time. Maybe you need to reach out for support. I hope you have your support system. It sucks if you don’t! Let’s try go through this together then. I am so glad we met like this. Through our eyes. Or ears. Maybe fingers. I hope you are having a good day. Or that it’s a little bit better now that we spent some time together. I hope you know your worth. It’s ok if you don’t yet. It could take some time to get there, especially living in the system that is thriving from you not knowing it. Remember it when you feel like you’re not enough. You’re more than enough, you have everything you need to be you. I am sorry if you don’t! Please, reach out for the support. You deserve every bit of it. Please, do. You are valid. You make this world so much better. I love you.

Observation


Friday, May 5, 2017

A day of observation ; visiting a museum.

To see, watch, perceive or notice

Visiting a museum always end for me daydreaming about other artists. Influenced by the atmospheres of the art and people visiting the museum. So I wrote down my observation and daydreams of an artwork in the exhibition of the Kunsthal te Rotterdam.

Cars, motorcycles, egg, hamburger, portraits and colorful vanitas. Walking into a hall full of pictures; was my first reaction of the exhibition of hyperrealism in the Kunsthal te Rotterdam. Coming closer to this images; amazed by the fact that these where paintings.
In front of a painting there was a man saying to his wife; ’Yes, you can really see that this is a painting, because the artist did not paint it perfectly.’ Pointing out all different kind of lines and spots which where not perfect according to him.
My observing of these paintings was also absolutely triggered. How is this possible? Is this a picture painted over? Is it really not a picture? Also searching for spots to confirm that it are paintings.

Rod Penner Rod Penner

Rod Penner 

 

Passing all the work I noticed all the American subjects. Especially the landscapes of Rod Penner ; painter. Staring at his work I found it very intriguing how he translated the light so beautiful in these paintings. Every shade, light stripe and reflection he paid attention to. He is not only painting the landscape itself but also the atmosphere that is connected to the landscape. Not only the houses/signs are giving a clue to the American landscapes but also the atmosphere itself is very recognizable.

The beautiful light and atmospheres of Rod Penner reminded me of two photographers ; Gregory Crewdson and Tod Hido.

2077 Tod Hido Tod Hido

 Tod Hido

 

Tod Hido is photographing landscape/houses in America. He got a amazing series of photographs called ‘Homes at night. Tod is using long exposure and most of the time the only light source is the light from inside the house. He is also searching for very specific moments and houses that are making this series so great.

Gregory Crewdson  Untitled__Merchants_Row__08large

Gregory Crewdson

 

Gregory is photographing cinematic landscapes in small towns of America. He is making beautiful images where he is influencing the light and the scene. It is very interesting how he and his team are building up these scenes and you can see that in his documentary Gregory Crewdson : brief encounters.

Inspired by a day of Kunsthal te Rotterdam
Hyperrealism ; 50 years of painting.
Exhibition from the 25th of January till the 5th of June 2017.

A Poetic Threesome


Friday, May 5, 2017

Words are magnets. Put two random words together, and they will enter in an (unintended) relationship. Of course in some cases it works better than others, in one case the result will be poetic, in the other criticism or humor will enter the stage.

As I was experimenting with this, using the tag words from DesignBlog, I noticed something. While combining the random words, they also started connecting to my surroundings, which were in that situation: the objects in my room.

ATMOSPHERE AWARENESS

Can random words and images enter in a “poetic threesome”? I decided to do an experiment.

First I thought that maybe I should combine imagery from Google Image with the words, to make everything as random as possible. I tried this, but it didn’t really bring me any further. Of course some nice things happened, but it felt too general to me.

ANTI-HERO ANITA

ARABIC ART

 

I liked the personal, intimate side of my first observation. I made up two guidelines for myself:

1. use 26 tagwords from designblog starting with an “a”

2. use personal objects from your direct environment

ASIAN APPEARANCE

I wanted to know what would happen, combining the random with the personal. The personal intertwined twice in the process: combining the random words, I think I unconsciously made choices according to my own taste. Even though I tried hard to combine the words randomly, I couldn’t help seeing the connections that might happen. In the end, I’m a person, not an algorithm, and I decided to embrace this.

ARTIST-MIND

ANTS ANXIETY

Also, the objects are personal. I chose objects that were personal because I got them from someone important to me, because they were mine for a long time, or because I use them daily.

ABOUT ABSENCE

I made may own small home-studio and started making the words and the objects literally interact.

ANIMAL AMERICANS

Some interesting things happened:

AFRICA AFFECTION

- The impersonal words became more personal, and more meaningful, simply because they were combined with my own belongings

ARTICHOKE AS IT IS

ADIDAS A PRIORI

- The objects, that I’d always looked at in one way, became something else, the words created gateways to other meanings

ACTIVISM ATTITUDE

 I think also the white background allowed the object to break with their original context and start forming new connections.

AUTOMATIC LIVES

I found myself looking at my plant in a different way this morning. Normally I barely notice it.

Am I living an automatic life? Or is the plant living an automatic life?

ANIMAL-ACTIVISM

I wonder if there’s a third personal side to this: the connections we make when we see the random combinations. I make specific connections, someone else as well. We all have different imagery in our minds and different associations to the words used.

AMUSEMENT

And what will the objects think of all this?

I don’t think people would like to be put in a random context. I wouldn’t like to be called Amusement or About Absence.

Maybe someone will invent a way to give objects a platform for their opinion. Objects have rights too.

But until that moment, humans will have to give the objects meaning. And I think sometimes it’s good to re-evaluate this meaning. Why should a fish be food and not amusement? Can’t avocado’s also be animals?

Why should pepper never be afraid?

And why is Anita no hero when she’s standing in the kitchen all day?

 

THE DUCK AND THE WHALE, A Play by Columba W.


Thursday, May 4, 2017

To give my best overview of the creation of the play below is to say a visual campaign was of supplement to a mashed alphabet. Gravity helped me to sit on slow chairs in front of the digital art that was my photo achieve of personal stories, social history and environment. Maybe a dog popped in here or there. It was a process of critical thinking and curiosity to make a personal repossession of the photography. A bit like IKEA did with furniture. I gazed upon the hand in silence, with hidden feelings that I was living the lifestyle of William Chester Minor. My role was a kind of craftsmanship to dye the rules in nature with my own words, words that came to me from simply looking. Some would deem it additive manufacturing, like the work in progress of a futuristic master Azart artist. I was left with a list of words the size of a paperclip compared to the one to the left of me. I don’t disbelieve that if I were to continue my list would fill the human body, now it could fill a large poster made by Jan van Toorn or part of a suit or outfit. Although it would be a never ending process to fill Boijmans van Beuningen. Big here long now I was faced with the problem solving of a typographer, not like Sagmeister but one whose work was fair to say of careless design. The problem was generating a random selection of words to use like animal resources in chaos and order to be the leader and kiss the dialogue. I used a programme that was like some kind of Greek Thonic, that spurted words at me, a surprise selection, which I had to use like a Situationists. On the page the words look like a decoration or embroidery to a narrative surrealism, which imbedded hints of sexuality. To dream like a cyborgian I think I gave the sense of words in animation that in turn has self-made a whole loaf of poetic bread.

ScanScan 1 Scan 2 Scan 3 Scan 4 Scan 5 Scan 6

A play


Thursday, May 4, 2017

 

A letter. A letter flows into a word, a word is born. This then, in turn, is pronounced. A word is followed by a different word. A phrase sets up its construction. Meaning is broadcast, transmitted, interpreted and passed on. All language reaches back and is informed by how it was used in the past. But these things are unfortunately too measurable to get closer to the realm of space, that is, to the realm of the poetic image. This is nothing more than an inquiry as it is an exercise in the magnetism of language, its use and meaning and its subsequent (lyrical) imagery.

What’s certain is that at one point, too removed to mention, there was none of this. That is to say there was no language and the profundity that accompanies it. My objective is not one of retrospect nor is it one of speculation, I simply want to point out and that we’ve reached this point, and that there things lingering on in-between the words, sentences, white spaces, side lines.

 

 

In 1972, my grand-father left my grand-mother’s house in Strombeek, on the hilly outskirts of Brussels, for the first time. Just before his departure, he poured Pisang on the balcony, sealed off with dead plant leaves and broken pieces of glass, the apertures in which the different rooms were discussed and assembled, made alterations to the provision of shadow cells by taking 100.000 Belgian franks and left a feeling of sultriness and a trail of ashes on the radio, bookshelves and the countable rugs and carpets, making these regions of the house the most fertile for the following thirty years. But it was only during the last act, the act of inserting a silver object into a vexed area of a piece of wood, that he pronounced the terms of condition, while exposed to the strange and morose rendering of the orange light.

They are the following:

 

Vincent:

A day run astray but not lost. A dried-up carpet stain, a spastic vibration, taken faraway. A closed sometimes, while the sun comes in, anew.

Douffet:

A choice that at high temperatures glows in an environment of nitrogen and/or carbon monoxide and disposes, by means of evaporation a ceaseless flow of microscopic particles, which settle themselves on the inside of the house, whereby the house, in time, dusks.

Honte, La:

It is either a military tactic or an ululation (Klaagzang) that has it’s origin in the first sounds. It is a particular, grievous mode of weather which is converted into language upon its death.

Brasschaat, Belgique:

A form of rain that is neither poor nor stubborn. Theoretically, there’s an occurrence of acuity when approached, but acuity is relative and subbordunante to the songs and the smoke of the sea, plus, lake and the melancholy which is cherished by a diffusing sky.

 

cyber and (un)aware


Monday, December 1, 2014

 

Jacob Jensen’s 1997 waterproof Beowatch (produced by bang & olufsen) was designed as a personal, unisex timepiece that makes telling time convenient and accessible. additionally, it also functioned as a remote control that controlled the volume of later bang & olufsen music centers. this design prompted me to question its present-day relevance in the design exhibition at the stedelijk museum, Amsterdam. over the last two decades the technology industry has undoubtedly grown and so has the way in which people engage with methods of measuring time. it is noticeable that less people wear wrist-watches everyday and the norm has adapted to using smartphones or other multifunctional devices to keep track of time.

this research will further discuss the design of the Beowatch in relation to the myriad of social questions it raises such as today’s security in wearable, intelligent technology and the aesthetics of unisex design.

b&o-image1

few wearable objects are designed to be unisex, particularly jewellery (if we classify a wristwatch as jewellery). i am drawn to the statement this wristwatch is indirectly raising about society’s perceived aesthetics of gender. the design is created as ‘neutral’, an object that is seen through its own entity- regardless of preconceived ideas of masculine and feminine beauty. throughout history, wearable objects or fashion, has had a very divisive characteristic – creating standards and room for assumptions. this design forgoes these notions and is created as its own autonomous form.

balancing aesthetic and (multi)functionality reiterates how the Beowatch was very modern for its time;.Jensen’s approach to design drew my attention as he states “…we expand our concept of…what a watch should look like. the sight of an object does not necessarily have to show its function…” (1994, Jacob Jensen design [paperback], Paul Schäfer). this relationship between functionality and aesthetic is a core issue that designers are faced with.

however, it is a challenge nowadays between technology and its external design. technology is becoming increasingly intelligent with wristbands/watches that gather data to measure heart rates, count steps, give directions, forecast weather, play music, interact with other devices, predict the position of the moon etc  and the visual appeal of wearing this technology. for example with the recent design release of Apple’s iwatch and Google’s glasses there is already considerable criticism on this ‘cyber-human’ image and artificial intelligence we are sometimes reluctantly and often unavoidably accepting.

b&o-image2

Jensen redesigned the concept of a remote control in the Beowatch by making it multifunctional (acting as a remote control and timepiece). similarly, designers today are changing conventional objects into ergonomic designs that fabricate, sync or react together with the human body. there is an evident focus from the technology industry to attach these gadgets and lumped plastic to people especially by getting them onto wrists. of course there are many benefits of having such tools; they are accessible, readily available and can make tasks faster. however, the fact that these devices become so quickly absorbed into the culture of everyday society is blurring the boundaries of our true basic needs.

they are also perhaps just purely adding insult to injury- for example do people need to know how little sleep they are getting? or if they have eaten too much on one day compared to the next? or if they have skipped a day of exercise? this data collection that these devices provide may give us information but it is still not enough, what is more important is the reasoning- why we slept/ate bad and missed exercise, for example. simply knowing these facts without reasoning is the added ‘insult’ to the injury/damage that has already been created. for instance if your watch tells you that you haven’t exercised enough, things that you probably know already, would you change your routine just because your watch is telling you? in most cases, not. there are versatile calculations everywhere, but the problem is what to do with this information and how to interpret it.

it is irrefutable that the pace of technological advancement is remarkable; but this also affords the risk that people will develop a better reading of their technology/ wristbands and lose their sensitivity and awareness in reading their own bodies.

b&o-image3

since the Beowatch, wrist technology has advanced further than the individual, as over the past decade debates have risen over personal security and privacy. it is unknown to the individual how much is known about them through their digital dossier. we are uncertain about where our information is stored or if it is being used for analysis; examples we have witnessed recently include the NSA files, cyber-hacks with phone applications and celebrities, Facebook scandals, Wiki-leaks and much more. these personal items have the potential act as a sensor or tracker, they constantly collect data which are ‘invisibly’ fed to different networks. though this subject may seem far fetched from the design of the Beowatch, the design is relevant as it marks part of the evolution of our technological reliance and dependence. it is uncertain where this line is between the personal object and a device that is actually just a form of data to a bigger establishment.

b&o-image4

the Beowatch nowadays represents a certain phase in design (1993-1996) as well as the literal time. it represents the start of multifunctional, human-fitted technology. though now the object is more about its face than its function, being presented in a showcase at the Stedelijk Museum, it is still highly relevant and raises many direct and indirect issues. As the son of Jacob Jensen said in an interview: “a product which survives the test of time, even when it has been out distanced by technology, contains a concise idea carried out at the right time, and with an aim of thorough reworking” (Timothy Jensen in Jacob Jensen design, 1994, Paul Schäfer). though technology has definitely distanced since 1997, the design of the Beowatch has survived by providing a mark for its time as well as offering insight into how we should speculate the future of cyber-human technology.

 

‘beautiful morning’ ( comment)


Tuesday, May 6, 2014

When i saw this tag, i felt i needed one. A beautiful morning.

the text described various things, but the interesting part i got out of it was, live life slow, and you will enjoy it the most. when you get fed up by everything else, you should just focus. focus on what is there, and see what it brings you,

what is really there (?) always that question that is there. is it that, what we feel, what we see, what we touch, maybe even what we miss. a slow beautiful morning, will pass by. what will attract our eyes? dirty dishes, stains on the windows, some old clothes on the floor,  the things you knew that you had to do? the things you thought they would stay away, the things you don’t want to see coming, the crack in the wall, crumbles on the table, the flowers next to it, the people outside, the blue sky that is there, the birds who are nesting in the tree next to your house, your nephews birthday that is coming up, your birthday will be soon to, the sun that is getting up, your breakfast that taste’s much better now, the things you accomplished yesterday which you don’t have to do again, your favorite shirt clean and on again, your music on the background, the realization you will have to go outside to go to school, the sun on your face, the train you manage to get this time, and the school that starts your day again. the people who you missed during holiday, the tea in the morning, fresh baking smell trough the school,

Eventually it is the way you look at it, the way you remember it, will feel it, recognize it again and again.

‘Just look at the bright side of life.’

about those…


Sunday, April 13, 2014

uncategorized?

like not black
not white
not even gray
why can’t you define this time?
define define divide define
no category
what about you?
what’s your favorite category anyway?
well, what’s your category anyway?
feel better while categorizing, not this time
no gender, no nationality, no ideology, no what, now what?
no nothing
nothing
nothing
something
some thing
some think
thin thin thin thin thin
line between defined and undefined
they are neutral, they are lost, or just hard to define
that’s it

in the end not such a bad category.

Calcite Stalactite


Wednesday, April 2, 2014

In the Wendingen issue, Kristallen Wondervormen der Natuur from 1924 i found this picture of a calcite stalactite. I choose the picture because I did not remember to have ever seen anything like it and that made me curious.  After a bit of research I learned that a stalactite is a type of formation that hangs from the ceiling of caves, hot springs or manmade structures such as brigdes and mines. Limestone caves, where most stalactites are found, are mainly composed of calcite, a rather common mineral found in sedimentary rocks. Stones and crystals have been a huge passion of mine, for as long as I can remember. The interest started in an early age, as my parents took me, my brother and sister for long walks up and down the coast-line in Denmark. We were looking for fossils, amber, seashells and stones. We never really knew why we were doing it, but it soon got competitive. Who would found the most exquisite one? The biggest? The funniest? And we would carry large heavy amounts back to our house and place them carefully, in an order, on shelves or window sills. My mother keeps collecting and my parents house have turned into what could be called an exhibition of stones and stuff. My father sometimes forces her to get rid of some of the stones, because he says “it doesn’t make sense”, but my mother took me to the farthest place of their backyard; a wilderness of weeds and showed me where she get’s rid of the stones. The pile is enormous. When asked why stones are so fantastic, my mother says: because they are ordinary and exquisite and they look beautiful in the rain. Later I started making animations where I would scan some of my favorite stones and give them simple movements. Maybe they would turn around, or switch back and forth between a crystal and a flintstone. I too like the normality of stones and I embrace that my love for them doesn’t make any sense at all.

m

Wendingen 6-11 1924 Rijksacademie Amsterdam

It’s All About The Spine


Thursday, May 9, 2013

Looking through the aisle of books in the library and trying to find that one book out of hundreds that I could be interested in was a difficult task. So instead of picking out every book and inspecting it in detail, I chose to find a book that I found interesting purely from the spine. This meant I was looking for a unique bind, or a unique choice of material. Both these criteria are too often ignored in my opinion, for example if your book is in amongst thousands of books in a library, with only the spine visible, I think it is essential to give your publication that little bit extra to set it above the rest.

So I came across a small book crammed in at the end of an aisle called ‘Mechanisme’ and it stood out for three reasons. A) It was bound with a traditional Japanese binding. B) It was so much smaller than all the other books around it. C) It was made from a very textural recycled card. It’s no bigger than a CD case, yet it has more character than the majority of the books in the design section. There is something personal about it, as it is almost definitely handmade, so it has a delicate quality to it. So delicate in fact that it is falling apart slightly. To be honest I was slightly disappointed when I decided to check out the contents of the book, although it was made using very nice materials it’s design was far too bland and the actual purpose of the book wasn’t clear, as far as I could tell it was a book explaining the contents of different materials. The cover and general outer appearance gets 10/10, the content however 5/10. But at least it was interesting enough to stand out from the rest.

Rietveld Library cat.nr:

Research of Kaba ornaments


Wednesday, October 31, 2012

Research of Kaba ornaments 

 

 

 

Misinterpreted


Sunday, November 13, 2011

This article is about my research into the alien spirits collection by Walter van Beirendonck.
First of all, it isn’t designed as a collection, the outfits are picked from various collections from 1994 up to 2011 for his exhibition in the fashion museum in Antwerp. He picked outfits with a common theme; “Alien Spirits”.

And that theme can be described as a theme with alien and indigenous influences. As Walter describes it:

“‘Alien Spirits’ references my interest for all things alien but also the spiritual like shamanism.”
-Walter van Beirendonck

But to describe it like that would be too easy, there is more to it than that. To me it is more about interpreting certain traditions and habits and using them in new outfits.
But Walter isn’t a scientist, he just looks at clothing and traditions of certain indigenous tribes (Like the Maori, the Masaï, the Hopi Indians, the Pende people etc.) and uses some of their accessories and clothing in new outfits. But he isn’t looking at what the purposes of the accessories are, so he uses them in a very wrong way.

And I think he does that on purpose, he likes to radically change the way the indigenous pieces are used. For instance, he uses the spiral eyes of masks used in traditional burial ceremonies of the Tolai tribe in Papua New Guinea in several of his outfits.

And just as he likes to deliberately misinterpret indigenous traditions he also likes to misinterpret our traditions. For that misinterpretation you need somebody who doesn’t belong in a culture to look at their habits with a fresh and unknowing eye.
And just like Walter uses himself as an outsider of indigenous cultures, he uses Aliens as outsiders of our western culture.
In 1999 he made a movie about two aliens coming to earth and scan the world. But he lets them misinterpret certain of our habits. For example, in “relics from the future, 2006” he uses jewelry which is still attached to the small black cushions on which they are presented in the stores. And in “Welcome Little Strangers, 1997” instead of a small flower behind the ears of the models they have wigs made of grass.

    

The misinterpretation of our traditions is a theme that is used in more things. A lot of big Hollywood movies and television shows use the same idea:

In “the gods must be crazy” (Jamie Uys, 1981) a cola bottle is tossed from a plane in the Kalahari dessert and believed to be a sign from the gods by bushmen.

video fragment The Gods Must Be Crazy

In Mars Attacks! (Tim Burton, 1996) Aliens come to earth and think a white pidgeon that is released as a sign of peace, is a threat and begin shooting people.

video fragment Mars Attacks!

In the TV-Show 3rd Rock from the Sun the misinterpretations happen a lot. It is a show about Aliens living on earth disguised as normal humans. They cannot figure out human basic emotions, they believe gelatin pudding is an evil creature and so on.

These are just a few example, movies like, for example, Men in Black, coming to America and almost any other Hollywood science fiction movie use the same idea of misinterpretation.

Whereas the big Hollywood movies and shows use that idea more for a comical purpose, Walter uses it for a different reason. To me his works are more about trying to have us look at our clothing and traditions in a new way and questioning them.
Why do women wear dresses and skirts and men don’t? And so on. He really wants us to look at our clothing again, because how crazy and extravagant his designs are, they are still intended for sale and to be worn in the street.

“Clothing is to me something to sell and to wear – that is its function. Of course you can tell stories and communicate with fashion, and that is something I definitely try to do in my collections. But essentially it’s a consumer product.”
-Walter van Beirendonck

So after my research the definition of the Alien Spirits ‘collection’ is:
“The deliberate misinterpretation of traditions in other cultures” with the goal of having us look at our clothes with a fresh eye.

Pastry


Wednesday, September 21, 2011

design by Philippe Apoloig

When I saw this poster from far, I thought it looked like a well-made textile (like a table cover) or graphic poster, made through usage of computer programming. Therefore, Its not a hand made textile.

Then Seeing it in detail, I found that there is small text in the big text, I can see the shade of letters. Black, red and white colors are being used. It also seems that a lot of layers have been used, even in small parts. Like a pastry.

It also looks like an exotic letter. These layers have each a repetitive form, different for each part. It seems like a  letter or piece of textile, such a in mixed layer. Its an intentional item, but really unaffected. I think Its like an artwork, not a design poster.

artwork by Hyo Seop Kim

I thought about gravity during the drawing.

A book’s weight is about 500g. But books include different photos, with according happening take each date. I think it’s a huge mass, if it is in the size of the book. So I completed the painting, through finding of picture in the book that inspired to me. Perhaps, This poster is similar in the way how it is using layers to create its form, I Think its interesting.

A0 by A4


Sunday, September 18, 2011

This is a work created by experimental jetset. I chose to write about this work because I find it very genious to make something like this. It really is a new way to make a print on an A0 size. It fits in the corporate identity they made for the Stedelijk Museum. They had to make this corporate identity in just a few months within an extremely tight budget. They had to be ingineous with the prints, beceause they didn’t have enough money to print lots of posters on A0. At the same time, this way to show large print works, is so easy you could do it yourself at home. They also used thin coloured paper to print some of the folders on, and found a way to fold the letters they send so you don’t need an enveloppe anymore. It all worked out very nice, and fitted in the budget. This A4 solution is cheaper, easier and economic, friendlier because it doesn’t need huge printers and big rolls of paper to achieve the same result.


Log in
subscribe