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Matter of taste.


Wednesday, November 28, 2018

Network, collage and rebel were the keywords for my second book search. This time I found it quicker than the first time. I went up, walked to the fashion book shelf and grabbed the first book that I saw. The reason for me to walk immediately to the fashion book shelf is simple; because I am just more interested in fashion than I am in graphic design or architecture. And there it was, exactly what I needed and also one of the books that I considered taking the first book search I did a week earlier. 

The cover of the book appeared to be a collage. In my opinion not the most exiting collage I have ever seen because of the simple, minimal and grey colors. But also because of the words on the cover and the cutout of an outfit which is, on one half, not totally “finished” yet. Or they just didn’t want to show their opinion about the content of the book.  

While I was browsing through the book I noticed that my first association was my second keyword; network. First of all, because of the few black and white fashion images. And second of all, because for some reason I always associate fashion with networking. Probably because I live in a surrounding where a lot of my friends work in fashion, go to parties and show their faces in the most beautiful outfits. A topic I also spoke about in my first text.

I see a lot of similarity between my two chosen books. But only from the outside, not from the content. For instance they are both the same size, and the are both fashion related. But I also see a big contrast in the two books. Where one is more rebellious formalized, the other is, for me, more focust on the minimalistic graphics.  

 

907 bog 1

test


Wednesday, November 28, 2018

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Test At Home


Monday, November 26, 2018

Designblog is currently upgrading

Dries Van Noten


Thursday, November 22, 2018

“My eternal soul,

Observe your vow

In spite of the night

And the day on fire.”

-Arthur Rimbaud, A Season In Hell

 

The big gazing eyes on the cover of the book grabbed my attention at the first sight,It reminded me of this poem from the French poet Rimbaud.

 

I also like it in black and white.It is not that I don’t like color. On the contrary, I think I like color too much to tolerant it being abused in a wrong way. And I don’t always have enough time to find the right color or the right combination of colors, so to keep everything minimal, I developed this obsession for black.

 

I also like it because the whole book is very thin, I like the artists who keep things minimal.I believe they spent more time in choosing behind the work, to only keep the best things.

 

When I opened the book, the vogue and zoomed-in images, it’s almost becoming some kind of abstract painting.I can only see the back of the models in the most of pictures, that also makes me feel attracted, the mystery in the movement go their body. They come and go at ease, at their own pace. They are very independent while I felt invited, but there is no pressure that I have to either.

 

I also really like the casual and comfortable feeling when they are in those clothes, they can run and dance at ease.It is them who is wearing the clothes, but not only as a living hanger to present those clothes.I think fashion design for me, in the end will come back to the point of how it actually makes you feel when you wear it.Do you feel comfortable in it? Do you feel restricted ?Does this clothes make you feel more of being yourself or somebody else?If it is somebody else, is it a better person or a worse person?

 

Information about the book:

Dries Van Noten   Women’s Collection Summer 1998

907.8

Show your face.


Thursday, November 22, 2018

The first reason for me to choose this book was because of the form. The book had a strong appearance because of the size, compact but heavy. Also I loved the fact that it didn’t matter were you started. You could begin in the middle of the book but also at the end. The randomness where to begin was a very important part for me to choose this book. It didn’t tell a story but it gave you an impression of the time and subject of the book. The raw and tacky images were cut together and therefore intense to look at. It got my attention because, for instance, it gave me inspiration to make more collages. The book is very well designed for someone like me, very visual. I think allot in visuals in order to understand a concept or subject. The moment I took this book from the bookshelf and quickly looked through it, my hart made a small leap and so I knew that I had to take it.

As I was browsing through the book I immediately had an emotional relation to it. I thought about my mother. It felt like I was browsing through her student life, it had the same atmosphere as her stories about that time. Crazy parties where people show a different side of them or wear extravagant clothes, alcohol, drugs, sex. To provoke or really to be themselves? To create a conversation or to rebel against the “normal” society? To really want to be a part of something. Of course all these thoughts came after looking at the book and knowing more about the content. But also this was my subjective reaction to the book. I tried to relate these thought to myself and my surrounding. Am I living the design of this book at the Rietveld Academie? Am I experiencing life like a collage? Do I also have to dig in to the centre of this scene in order to be part of something? To show my face at every event that is taking place, to socialize and network? Or can my work speak for itself and be successful without people knowing me? 

 

 

907.8-fri-1

As Little Design as Possible


Thursday, November 15, 2018

I was startled by the fresh, sleek but subtle apparence of the SK 4 as I walked by it in the basement of the Stedelijk museum. I stopped and bent over to get a closer look. This audio system combines a turntable and a radio with two speakers in a single white metal box ornamented solely by two wooden boards on each side and an acrylic glass lid. The rest is all functional: a few plastic control knobs and an analog display for radio frequencies.

« Hans Gugelot, Dieter Rams » stated the label on the right.

These two designers worked for electrical appliance company Braun which released the Phonosuper SK 4 in 1956 as one of the first products to incarnate their new design. They wanted to get rid of the superficial and fashionable to make room for efficiency, simplicity and the beauty that comes with it.

I started searching the internet for some historical context and information about the relevancy of the object today. A few scrolls were enough to realize how influential the SK 4 design is. I first stumbled on countless ads selling the product from one to three thousand euros. Then I found many blogs paying tribute to it by sharing images and information about the design philosophy of the brand. I noticed that Dieter Rams was a lot more mentioned and appreciated than his co-worker Hans Gugelot, probably because the former was involved with Braun for many years (and still is) and has worked on many other notorious products. In fact, Rams is a legend of product design, referenced by many younger designers, such as Apple’s Jony Ive, as a major influence. This is very apparent when looking at today’s electronic products like smartphones, computers, bluetooth speakers but also furnitures and architectural edifices. I found a short documentary on Vimeo yielding the floor to Mr Rams himself at the initiative of the V&A Museum in London. According to him, his willingness to bring a new world of modern design to post-war Germany began when he met the Braun brothers. The success of their new creative approach proved the importance of a well though and original design. He also developed the 10 commandments for good design (which undoubtedly still hold up) in order to teach the students and the media, as well as keep together the behavior of the brand.

I searched the library of the Rietveld Academie as well as the library of the Stedelijk museum for documents published in the 60’s when the SK 4 was commercialized but I was not able to find any. All I could find were recent books paying tributes to the design philosophy of Braun and Dieter Rams, compiling images and information on their broad collection of products. I did not learn anything new about the SK 4 except for a few drawings I found in the book ‘Less and More, the Design Ethos of Dieter Rams’ by Klaus Klemp. They were made by Rams during the conception of the audio system, which I was quite excited about. The drawings are very simple, almost innocent, and denote of the « new beginning » state of mind of their author. It only made me thirsty for more archive documents of this type, so I kept on researching the internet. I found an image from an original Braun catalog including the SK 4, as well as a diagram of the SK 4 electric circuits naming the object « schneewittchensarg » (« snow white coffin »). This nickname shows how groundbreaking the design of the SK 4 was.

Overall, I found the internet much more efficient for my researches: it brought me more informations in a shorter amount of time then books did. Nonetheless, the search for material publications is much more thrilling. It leads to discovering new places (like the archives of the Stedelijk museum) and offers a tactile, more intimate experience. The books I found did not really offer more information but displayed in a more interesting, compelling and memorable way. This leads me to thinking that printed publications will continue to play a very important role along the exponential growth of virtual data. Our senses have not changed and the book is a design object which offers a cleaner and purer visual and tactile experience than computers.

We are in this together


Tuesday, May 9, 2017

Writing for the sake of writing

Make a blog post about nothing or whatever

Here are random connections to random posts on a blog that everyone is obligated to update. Why? Just because. Do you ever read anything because you have to? When does it happen mostly?

School? Aren’t you studying what you like? Aren’t you supposed to study what you like?

Work? Yh you had to work somewhere. Those readings are probably boring but you need to eat and pay rent so here we go. Capitalism. Sigh.

Government mail. Can’t read those though, they’re all in Dutch. “We killed the tree now it’s your turn to struggle. Folded in half. Eight fold. Figure it out somehow. Or don’t. Whatever. Couldn’t care less. Careless.

I am sorry if you’re reading this because you have to. I wish you didn’t. But bear with me. We can power through this together. We will come out of this different. We will learn something.

I am not going to teach you though. You can only learn yourself. Ask yourself questions. Or don’t. Don’t ask questions if you don’t feel like it. Listen to your body. That pressure you feel on your chest? That fire you can’t put out, your back burning, pay attention to it. Relax. Use this moment to listen to yourself. It is hard, Everything could be hard. Sometimes its hard to leave your bed, I know that way too well. Sometimes working two shifts in a row is not as hard as making yourself some breakfast or picking up that paper from the floor, that has been there for a month.

Don’t be hard on yourself. Accept your weakness. You don’t have to love yourself. Its great if you do, but don’t be hard on yourself if you don’t. One day you will. You don’t have to love yourself in order for someone to love you. I love you. Just for you. For you fears and struggles. For your carefree attitude. Or absence of it. It’s ok to care. Its hard but you’re gonna be fine. You’re special. You’re unique. You’re so cute when you laugh. I don’t have anything funny to tell you right now, though. Kinda feel guilty for it, sorry. But I will learn to accept it. One day. One thing at a time. Or after ten thousand times. Lets change together. Its ok if you don’t want to. It’s ok if you did. Every thing is different. Every day is different. Every day you’re different and the same in a way.

All the bad and good is in you, you don’t have to look for it anywhere else. Just take a look inside. You also can take a look at someone else. Its fine to look up to people. You’re someone’s hero too. Somebody looks at you and realizes they could be better. Sometimes they don’t believe it because of how awesome you are. They should read this post too. But only if they want to. It is also ok if they have to. I hope they feel better after reading it. I hope it could make you feel more at ease. It’s ok If it couldn’t. Sometimes we can’t help but worry about things. This world is stressful enough. We just have to navigate through it. Do you know that just looking at you could make somebody’s day better? You look so radiant when you feel inspired! It’s contagious! Its ok if you feel shy for people looking at you. Don’t worry, they are in their own heads. It’s ok if you feel shy anyway. It’s ok if you don’t want people to look at you. I respect your desires. You’re a great person. But you don’t have to be great to be respected. You deserve love. You deserve peace.

It’s ok if you like when people look at you, you deserve to be the center of attention. You’re such a fun and outgoing person when you feel like it. Sometimes you don’t and I appreciate that. Everyone needs time for themselves. Some people probably don’t. But you do you! It’s important to recharge from time to time. For you it may mean all the time. Maybe you need to reach out for support. I hope you have your support system. It sucks if you don’t! Let’s try go through this together then. I am so glad we met like this. Through our eyes. Or ears. Maybe fingers. I hope you are having a good day. Or that it’s a little bit better now that we spent some time together. I hope you know your worth. It’s ok if you don’t yet. It could take some time to get there, especially living in the system that is thriving from you not knowing it. Remember it when you feel like you’re not enough. You’re more than enough, you have everything you need to be you. I am sorry if you don’t! Please, reach out for the support. You deserve every bit of it. Please, do. You are valid. You make this world so much better. I love you.

Observation


Friday, May 5, 2017

A day of observation ; visiting a museum.

To see, watch, perceive or notice

Visiting a museum always end for me daydreaming about other artists. Influenced by the atmospheres of the art and people visiting the museum. So I wrote down my observation and daydreams of an artwork in the exhibition of the Kunsthal te Rotterdam.

Cars, motorcycles, egg, hamburger, portraits and colorful vanitas. Walking into a hall full of pictures; was my first reaction of the exhibition of hyperrealism in the Kunsthal te Rotterdam. Coming closer to this images; amazed by the fact that these where paintings.
In front of a painting there was a man saying to his wife; ’Yes, you can really see that this is a painting, because the artist did not paint it perfectly.’ Pointing out all different kind of lines and spots which where not perfect according to him.
My observing of these paintings was also absolutely triggered. How is this possible? Is this a picture painted over? Is it really not a picture? Also searching for spots to confirm that it are paintings.

Rod Penner Rod Penner

Rod Penner 

 

Passing all the work I noticed all the American subjects. Especially the landscapes of Rod Penner ; painter. Staring at his work I found it very intriguing how he translated the light so beautiful in these paintings. Every shade, light stripe and reflection he paid attention to. He is not only painting the landscape itself but also the atmosphere that is connected to the landscape. Not only the houses/signs are giving a clue to the American landscapes but also the atmosphere itself is very recognizable.

The beautiful light and atmospheres of Rod Penner reminded me of two photographers ; Gregory Crewdson and Tod Hido.

2077 Tod Hido Tod Hido

 Tod Hido

 

Tod Hido is photographing landscape/houses in America. He got a amazing series of photographs called ‘Homes at night. Tod is using long exposure and most of the time the only light source is the light from inside the house. He is also searching for very specific moments and houses that are making this series so great.

Gregory Crewdson  Untitled__Merchants_Row__08large

Gregory Crewdson

 

Gregory is photographing cinematic landscapes in small towns of America. He is making beautiful images where he is influencing the light and the scene. It is very interesting how he and his team are building up these scenes and you can see that in his documentary Gregory Crewdson : brief encounters.

Inspired by a day of Kunsthal te Rotterdam
Hyperrealism ; 50 years of painting.
Exhibition from the 25th of January till the 5th of June 2017.

cyber and (un)aware


Monday, December 1, 2014

 

Jacob Jensen’s 1997 waterproof Beowatch (produced by bang & olufsen) was designed as a personal, unisex timepiece that makes telling time convenient and accessible. additionally, it also functioned as a remote control that controlled the volume of later bang & olufsen music centers. this design prompted me to question its present-day relevance in the design exhibition at the stedelijk museum, Amsterdam. over the last two decades the technology industry has undoubtedly grown and so has the way in which people engage with methods of measuring time. it is noticeable that less people wear wrist-watches everyday and the norm has adapted to using smartphones or other multifunctional devices to keep track of time.

this research will further discuss the design of the Beowatch in relation to the myriad of social questions it raises such as today’s security in wearable, intelligent technology and the aesthetics of unisex design.

b&o-image1

few wearable objects are designed to be unisex, particularly jewellery (if we classify a wristwatch as jewellery). i am drawn to the statement this wristwatch is indirectly raising about society’s perceived aesthetics of gender. the design is created as ‘neutral’, an object that is seen through its own entity- regardless of preconceived ideas of masculine and feminine beauty. throughout history, wearable objects or fashion, has had a very divisive characteristic – creating standards and room for assumptions. this design forgoes these notions and is created as its own autonomous form.

balancing aesthetic and (multi)functionality reiterates how the Beowatch was very modern for its time;.Jensen’s approach to design drew my attention as he states “…we expand our concept of…what a watch should look like. the sight of an object does not necessarily have to show its function…” (1994, Jacob Jensen design [paperback], Paul Schäfer). this relationship between functionality and aesthetic is a core issue that designers are faced with.

however, it is a challenge nowadays between technology and its external design. technology is becoming increasingly intelligent with wristbands/watches that gather data to measure heart rates, count steps, give directions, forecast weather, play music, interact with other devices, predict the position of the moon etc  and the visual appeal of wearing this technology. for example with the recent design release of Apple’s iwatch and Google’s glasses there is already considerable criticism on this ‘cyber-human’ image and artificial intelligence we are sometimes reluctantly and often unavoidably accepting.

b&o-image2

Jensen redesigned the concept of a remote control in the Beowatch by making it multifunctional (acting as a remote control and timepiece). similarly, designers today are changing conventional objects into ergonomic designs that fabricate, sync or react together with the human body. there is an evident focus from the technology industry to attach these gadgets and lumped plastic to people especially by getting them onto wrists. of course there are many benefits of having such tools; they are accessible, readily available and can make tasks faster. however, the fact that these devices become so quickly absorbed into the culture of everyday society is blurring the boundaries of our true basic needs.

they are also perhaps just purely adding insult to injury- for example do people need to know how little sleep they are getting? or if they have eaten too much on one day compared to the next? or if they have skipped a day of exercise? this data collection that these devices provide may give us information but it is still not enough, what is more important is the reasoning- why we slept/ate bad and missed exercise, for example. simply knowing these facts without reasoning is the added ‘insult’ to the injury/damage that has already been created. for instance if your watch tells you that you haven’t exercised enough, things that you probably know already, would you change your routine just because your watch is telling you? in most cases, not. there are versatile calculations everywhere, but the problem is what to do with this information and how to interpret it.

it is irrefutable that the pace of technological advancement is remarkable; but this also affords the risk that people will develop a better reading of their technology/ wristbands and lose their sensitivity and awareness in reading their own bodies.

b&o-image3

since the Beowatch, wrist technology has advanced further than the individual, as over the past decade debates have risen over personal security and privacy. it is unknown to the individual how much is known about them through their digital dossier. we are uncertain about where our information is stored or if it is being used for analysis; examples we have witnessed recently include the NSA files, cyber-hacks with phone applications and celebrities, Facebook scandals, Wiki-leaks and much more. these personal items have the potential act as a sensor or tracker, they constantly collect data which are ‘invisibly’ fed to different networks. though this subject may seem far fetched from the design of the Beowatch, the design is relevant as it marks part of the evolution of our technological reliance and dependence. it is uncertain where this line is between the personal object and a device that is actually just a form of data to a bigger establishment.

b&o-image4

the Beowatch nowadays represents a certain phase in design (1993-1996) as well as the literal time. it represents the start of multifunctional, human-fitted technology. though now the object is more about its face than its function, being presented in a showcase at the Stedelijk Museum, it is still highly relevant and raises many direct and indirect issues. As the son of Jacob Jensen said in an interview: “a product which survives the test of time, even when it has been out distanced by technology, contains a concise idea carried out at the right time, and with an aim of thorough reworking” (Timothy Jensen in Jacob Jensen design, 1994, Paul Schäfer). though technology has definitely distanced since 1997, the design of the Beowatch has survived by providing a mark for its time as well as offering insight into how we should speculate the future of cyber-human technology.

 

‘beautiful morning’ ( comment)


Tuesday, May 6, 2014

When i saw this tag, i felt i needed one. A beautiful morning.

the text described various things, but the interesting part i got out of it was, live life slow, and you will enjoy it the most. when you get fed up by everything else, you should just focus. focus on what is there, and see what it brings you,

what is really there (?) always that question that is there. is it that, what we feel, what we see, what we touch, maybe even what we miss. a slow beautiful morning, will pass by. what will attract our eyes? dirty dishes, stains on the windows, some old clothes on the floor,  the things you knew that you had to do? the things you thought they would stay away, the things you don’t want to see coming, the crack in the wall, crumbles on the table, the flowers next to it, the people outside, the blue sky that is there, the birds who are nesting in the tree next to your house, your nephews birthday that is coming up, your birthday will be soon to, the sun that is getting up, your breakfast that taste’s much better now, the things you accomplished yesterday which you don’t have to do again, your favorite shirt clean and on again, your music on the background, the realization you will have to go outside to go to school, the sun on your face, the train you manage to get this time, and the school that starts your day again. the people who you missed during holiday, the tea in the morning, fresh baking smell trough the school,

Eventually it is the way you look at it, the way you remember it, will feel it, recognize it again and again.

‘Just look at the bright side of life.’

about those…


Sunday, April 13, 2014

uncategorized?

like not black
not white
not even gray
why can’t you define this time?
define define divide define
no category
what about you?
what’s your favorite category anyway?
well, what’s your category anyway?
feel better while categorizing, not this time
no gender, no nationality, no ideology, no what, now what?
no nothing
nothing
nothing
something
some thing
some think
thin thin thin thin thin
line between defined and undefined
they are neutral, they are lost, or just hard to define
that’s it

in the end not such a bad category.

Calcite Stalactite


Wednesday, April 2, 2014

In the Wendingen issue, Kristallen Wondervormen der Natuur from 1924 i found this picture of a calcite stalactite. I choose the picture because I did not remember to have ever seen anything like it and that made me curious.  After a bit of research I learned that a stalactite is a type of formation that hangs from the ceiling of caves, hot springs or manmade structures such as brigdes and mines. Limestone caves, where most stalactites are found, are mainly composed of calcite, a rather common mineral found in sedimentary rocks. Stones and crystals have been a huge passion of mine, for as long as I can remember. The interest started in an early age, as my parents took me, my brother and sister for long walks up and down the coast-line in Denmark. We were looking for fossils, amber, seashells and stones. We never really knew why we were doing it, but it soon got competitive. Who would found the most exquisite one? The biggest? The funniest? And we would carry large heavy amounts back to our house and place them carefully, in an order, on shelves or window sills. My mother keeps collecting and my parents house have turned into what could be called an exhibition of stones and stuff. My father sometimes forces her to get rid of some of the stones, because he says “it doesn’t make sense”, but my mother took me to the farthest place of their backyard; a wilderness of weeds and showed me where she get’s rid of the stones. The pile is enormous. When asked why stones are so fantastic, my mother says: because they are ordinary and exquisite and they look beautiful in the rain. Later I started making animations where I would scan some of my favorite stones and give them simple movements. Maybe they would turn around, or switch back and forth between a crystal and a flintstone. I too like the normality of stones and I embrace that my love for them doesn’t make any sense at all.

m

Wendingen 6-11 1924 Rijksacademie Amsterdam

It’s All About The Spine


Thursday, May 9, 2013

Looking through the aisle of books in the library and trying to find that one book out of hundreds that I could be interested in was a difficult task. So instead of picking out every book and inspecting it in detail, I chose to find a book that I found interesting purely from the spine. This meant I was looking for a unique bind, or a unique choice of material. Both these criteria are too often ignored in my opinion, for example if your book is in amongst thousands of books in a library, with only the spine visible, I think it is essential to give your publication that little bit extra to set it above the rest.

So I came across a small book crammed in at the end of an aisle called ‘Mechanisme’ and it stood out for three reasons. A) It was bound with a traditional Japanese binding. B) It was so much smaller than all the other books around it. C) It was made from a very textural recycled card. It’s no bigger than a CD case, yet it has more character than the majority of the books in the design section. There is something personal about it, as it is almost definitely handmade, so it has a delicate quality to it. So delicate in fact that it is falling apart slightly. To be honest I was slightly disappointed when I decided to check out the contents of the book, although it was made using very nice materials it’s design was far too bland and the actual purpose of the book wasn’t clear, as far as I could tell it was a book explaining the contents of different materials. The cover and general outer appearance gets 10/10, the content however 5/10. But at least it was interesting enough to stand out from the rest.

Rietveld Library cat.nr:

Research of Kaba ornaments


Wednesday, October 31, 2012

Research of Kaba ornaments 

 

 

 

Misinterpreted


Sunday, November 13, 2011

This article is about my research into the alien spirits collection by Walter van Beirendonck.
First of all, it isn’t designed as a collection, the outfits are picked from various collections from 1994 up to 2011 for his exhibition in the fashion museum in Antwerp. He picked outfits with a common theme; “Alien Spirits”.

And that theme can be described as a theme with alien and indigenous influences. As Walter describes it:

“‘Alien Spirits’ references my interest for all things alien but also the spiritual like shamanism.”
-Walter van Beirendonck

But to describe it like that would be too easy, there is more to it than that. To me it is more about interpreting certain traditions and habits and using them in new outfits.
But Walter isn’t a scientist, he just looks at clothing and traditions of certain indigenous tribes (Like the Maori, the Masaï, the Hopi Indians, the Pende people etc.) and uses some of their accessories and clothing in new outfits. But he isn’t looking at what the purposes of the accessories are, so he uses them in a very wrong way.

And I think he does that on purpose, he likes to radically change the way the indigenous pieces are used. For instance, he uses the spiral eyes of masks used in traditional burial ceremonies of the Tolai tribe in Papua New Guinea in several of his outfits.

And just as he likes to deliberately misinterpret indigenous traditions he also likes to misinterpret our traditions. For that misinterpretation you need somebody who doesn’t belong in a culture to look at their habits with a fresh and unknowing eye.
And just like Walter uses himself as an outsider of indigenous cultures, he uses Aliens as outsiders of our western culture.
In 1999 he made a movie about two aliens coming to earth and scan the world. But he lets them misinterpret certain of our habits. For example, in “relics from the future, 2006” he uses jewelry which is still attached to the small black cushions on which they are presented in the stores. And in “Welcome Little Strangers, 1997” instead of a small flower behind the ears of the models they have wigs made of grass.

    

The misinterpretation of our traditions is a theme that is used in more things. A lot of big Hollywood movies and television shows use the same idea:

In “the gods must be crazy” (Jamie Uys, 1981) a cola bottle is tossed from a plane in the Kalahari dessert and believed to be a sign from the gods by bushmen.

video fragment The Gods Must Be Crazy

In Mars Attacks! (Tim Burton, 1996) Aliens come to earth and think a white pidgeon that is released as a sign of peace, is a threat and begin shooting people.

video fragment Mars Attacks!

In the TV-Show 3rd Rock from the Sun the misinterpretations happen a lot. It is a show about Aliens living on earth disguised as normal humans. They cannot figure out human basic emotions, they believe gelatin pudding is an evil creature and so on.

These are just a few example, movies like, for example, Men in Black, coming to America and almost any other Hollywood science fiction movie use the same idea of misinterpretation.

Whereas the big Hollywood movies and shows use that idea more for a comical purpose, Walter uses it for a different reason. To me his works are more about trying to have us look at our clothing and traditions in a new way and questioning them.
Why do women wear dresses and skirts and men don’t? And so on. He really wants us to look at our clothing again, because how crazy and extravagant his designs are, they are still intended for sale and to be worn in the street.

“Clothing is to me something to sell and to wear – that is its function. Of course you can tell stories and communicate with fashion, and that is something I definitely try to do in my collections. But essentially it’s a consumer product.”
-Walter van Beirendonck

So after my research the definition of the Alien Spirits ‘collection’ is:
“The deliberate misinterpretation of traditions in other cultures” with the goal of having us look at our clothes with a fresh eye.

Pastry


Wednesday, September 21, 2011

design by Philippe Apoloig

When I saw this poster from far, I thought it looked like a well-made textile (like a table cover) or graphic poster, made through usage of computer programming. Therefore, Its not a hand made textile.

Then Seeing it in detail, I found that there is small text in the big text, I can see the shade of letters. Black, red and white colors are being used. It also seems that a lot of layers have been used, even in small parts. Like a pastry.

It also looks like an exotic letter. These layers have each a repetitive form, different for each part. It seems like a  letter or piece of textile, such a in mixed layer. Its an intentional item, but really unaffected. I think Its like an artwork, not a design poster.

artwork by Hyo Seop Kim

I thought about gravity during the drawing.

A book’s weight is about 500g. But books include different photos, with according happening take each date. I think it’s a huge mass, if it is in the size of the book. So I completed the painting, through finding of picture in the book that inspired to me. Perhaps, This poster is similar in the way how it is using layers to create its form, I Think its interesting.

A0 by A4


Sunday, September 18, 2011

This is a work created by experimental jetset. I chose to write about this work because I find it very genious to make something like this. It really is a new way to make a print on an A0 size. It fits in the corporate identity they made for the Stedelijk Museum. They had to make this corporate identity in just a few months within an extremely tight budget. They had to be ingineous with the prints, beceause they didn’t have enough money to print lots of posters on A0. At the same time, this way to show large print works, is so easy you could do it yourself at home. They also used thin coloured paper to print some of the folders on, and found a way to fold the letters they send so you don’t need an enveloppe anymore. It all worked out very nice, and fitted in the budget. This A4 solution is cheaper, easier and economic, friendlier because it doesn’t need huge printers and big rolls of paper to achieve the same result.


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