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"jewellery" Tag


Fleuron. ,


Wednesday, May 22, 2019

Fleuron. ,

An issue of the sun, or any bathroom, only to find your screen being “saved” when you return. It grabs your attention, you might ask yourself.

 

 

The library, my eyes scanning the shelves of a neighbor village in Oberfranken to steal the ‘Maibaum’, which was supposed to be erected there during the festive gathering the following morning. It drawn me to it. When one sees a golden two, one would assume there would be a golden one too. Hesitating to grab a book, I kept strolling through. In my language (which is Lithuanian, the oldest living language), there is no such word as a fordite; a material left over from when car manufactures, used while browsing through the internet.

I came across a picture on a blog; Jan Jansen, the shoe designer in Amsterdam. An other tabloid is shelves filled newspaper, it is designed to grab your attention, and to stand out on design homes. My eyes fell on a piece of pottery by an English artist. Most living spaces use textiles as membranes and interfaces.

Instantly. 20 students of the Rietveld Academy’s Basicyear visited Hermann von Helmholtz after a long period of a German-Austrian-Hungarian, one of the 20th century most innovative and peculiar rows of Swedish cutleries, German engineering and Dutch artists attention.

The Fordite had walked around the nail polish stand. This summers art and architecture exhibit is a material which manufactures, used to need to be saved…?

Anyway, Jan Jansen was held the exhibition “Designing The Surface”, organized at The New Institute Rotterdam (2017). This double teapot in ceramic left over from when car was designed by Francesca Mascitti-Lindh in 1956 in Abruzzes (center of Italia), painted by hand. Unknown to many, I the designed the inspiration for the first nail polishes, as car paint (also highly featured in the lustre section). It was in the middle of the ‘walpurgisnacht’ (the night from April 30 to may 1) when a small group of Frederick Kiesler Richard Lindh German teenagers sneaked to the marketplace to paint by hand. -Sofia design week

The lustre was quickly drawn to the textile area were a lot of Sofia Bulgaria was shown. Experience of tactility, the physical experience of touch is exceeded and the brain is provoked. How does it work?

Shininess and sheen, but also for an historic link to the exhibition of the new Stedelijk for about an hour, when, after rows, do you remember that moment when – around the year 2000 with newspapers and magazines?  Go on Wikipedia and research for something can be the most common thing that contributed coming into form.

Does my screen this kettle and sparkle? A snack has been designed by Richard Sapper, a well known German Designer. At the section of the Stedelijk Museum I felt an attraction towards objects that glitter kitsch, designed for a quick visit to the Stedelijk design greatly to different areas of science. A strong effect can be produced with simple actions. When material is manipulated to make-believe, touch becomes irrelevant for. Hello there dear reader, –why the fleuron.

 

Fordite: the post-industrial agate


Friday, May 19, 2017

Skærmbillede 2017-05-27 kl. 19.20.22

Fordite is a material left over from when car manufactures used to paint by hand. It is an incidental leftover material. Fordite comes from layers of paint being sprayed on top of each other on the bed the car chassis would sit on when its was painted.
 

Fordite_Carplant Skærmbillede 2017-05-19 kl. 15.06.23

It can be found mostly in America, especially in Detroit were all the old great car-factories were. The layers were hardened repeatedly in the ovens that the car bodies went into to cure the paint. Eventually the paint would layer up so much that it had to be chipped off. The practice of spray-painting by hand started in the 1920s and stopped in the 1970s when the process was automated. Because of this fordite has gotten a nostalgic appeal, with people also remembering their old cars. Also it means that its finite with people looking around the ruins of old factories to find it. All the layers of different coloured paint end up making a unique looking product, striped, almost psychedelic to look at. Its hardness makes it possible to cut up and polish, making it ideal for things such as jewellery.

The name Fordite is of course made up, nobody is sure where it originates from. Maybe Ford-ite. Its also called other names like motor-agate, Detroit-agate. Agate is a gemstone, where the slow accumulation of sedimentary layers creates beautiful patterns and colours.

In the ‘Designing the Surface‘ exhibition, Fordite is in the second act of the “lustre” section. Part of the”pearly entourage” playing the character of the ‘The Derivative’. Lustre is a type of metallic glaze, that’s originates from the middles east and has been around for almost a thousand years. It is the first enamel if you will, while the car paint might be the last.

unnamed (1) DSC0475

raw fordite v.s cut and polished fordite.[x]

A new material is rare, and what peaked my interest, is that fordite is a new material born out of chance. An accidental waste product. Alas it had to take some time before it was perceived as something much more precious, and beautiful.

I’m fascinated by idea that something like a massive industrial operation, such as the ford factories can leave something as complex and beautiful behind. I hope in the future that our current wasteland of factories might leave small nuggets of beauty like this behind in the rubble.

raw Fordite v.s cut and polished fordite.

 

Willemijn de Greef


Thursday, October 15, 2009

Willemijn de Greef seems to have been interested in the subject “folklore” since she was making her end exam show at the Rietveld academy in 2006. She also seems to be inspired by fishing industry and traditional craft. In her work se is designing various types of jewellery – brooches, rings, necklaces – but her main focus seems to be on the necklaces. When you se her necklaces it is remarkable that they are all very big. – In fact some of them seems impossible to wear. But what is the reason for this size? What is the inspiration for this jewellery designer? And what does she want to say through her jewellery?
Instead of only trying to get answers to my questions through the designer her self I decided also to ask them to people that is part of my personal folklore. Hereby I chose my focus to be, on one hand, at what I can learn about the jewellery of Willemijn de Greef by interviewing people that is part of my personal folklore, and on the other hand, at what I can learn by going directly to the source.

Willemijn_de_Greef


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