January 30th

Hi all,

Sunny morning, the colours are back! 

Colour systems are created from very different starting points and urgencies, often related to a specific application and context. Some are based on observations, others on textual theories or visions. They can be technical, poetical, philosophical, tactical or speculative, they can be developed “for home use” or for a large audience or group of users. They are both political and personal, and almost always related to ideology.

Here’s the story about a fake art movement SPECTRA. Also all the other bulletins in that section (from ‘Umberto Eco: THE COLORS WE SEE’ till ‘James Langdon: NOW IN COLOUR’) are on colour-related  topics.

The  question is to develop a new colour system. A colour system that comes from your own, subjective starting point. Medium, scale, application, etc. is up to you. It would be interesting too if you all develop a colour and  a visual, graph-like representation as part of your colour system,

This was how the project started and ended with the publication of all process documentations which you can read if you scroll down.

April 4th

But before you do,

Look at all the colours we created, silkscreened with Kees Maas as part of this project and glued on the Rietveld Billboard. The next day it was a sunny day..

– All Color Names–
–Night Sky Violence, Walking on Light Tears, Sancho Panza, Lost-Diving-Mask-Green, Sickatoum, Sea Bird Blue Goes Dancing, Retired Rosy Brown, Flu Blue, Lost in Some Wax That Game Out Of Shrek’s Ear Green, Uta Grass, Hope Empty, Lizzard Wizzard, Capitalistic Pink, Maria Markan, I’ve Got Leaves In My Eyes, Tolerant White, Dragon’s Egg, Daniel’s Jeans, Adolescent Moss, Glass White / Glaswit, Don’t Be Blue Boo –

WORK IN PROGRESS

 
(more…)

There I found myself once again, this time walking with a clear idea in mind.
In this case, more of an idea it was a name. I had began the quest of finding

“The new Anita”. It is Interesting how this name has been taking over my life these past weeks. I even came across a Facebook

application which is called “Anita has the answer of your future, click here!”. How did I manage to –somehow– give this name to the nameless images from forgotten archives.

So what do I know about Anita,
and what is there to know about her anyway…? Personally the name has no connotations. I once had a friend called  Anita when I lived in Mexico but how she is and where she is currently, is unknown. So I do not really know /where /why /how and /who.

As I am searching for faces I come across a few women, still no Anita.

Until, from the side binding of one of the books comes a portrait of a young lady: black and white image, what looks like red lips, tied yet loose hair, skinny bone structure, dark eyes, beautiful girl. Her shirt is loose, exposing her bare shoulders. Something about her strong persuasion turns her into Anita.

Once again I have picked up a book about portraits. This time the book holds a much older image archive from 1903-1917. So what is it that connects these two? Both archives of images contain a variety of portraits. Both seem to have a dominant female as their main attraction. There must be something about this women, something about this name that classifies, orders and places them in different categories.

Anita has truly become a tag and I have become the tagger; I have acquired the power to pick and chose.

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