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"Workshop : –Rules–" Project


a small conversation between a Man and a Woman, starting from the workshop “Rules” by Ayumi Higuchi; rules in nature vs. rules in human beings


Saturday, June 5, 2010




To get to this conversation, I asked people around me to question something about the other gender, something the person questions the most (and if they didn’t know, just sOmething)

Visual associations starting from Munari’s “how to draw a tree”


Wednesday, June 2, 2010

EVOLUTION = CREATION = BLIND POWER


Tuesday, June 1, 2010

In my case rules always bring a lot of variations. I observe it a long time because my way of working usually include one or more rules. Sometimes because I pick the rule but most of the time they are visible when work is finished. They reflect my present situation and feeling but for that certain amount of time they become rules and then variation of creating is visible.

It is not random that I found how this rules are already involved in me and I have no problem with it because rule is just a strong word- meaning most of the time something destructive but there is theory in biology which can very easily prove how rules are from the beginning a part of life and that they provide never ending variations of everything we are surrounded by.

Charles Darwin introduced us to his theory of evolution in 1859 with his book On the Origin of Species.

This theory is based on several rules which explain that it is working :

1, In nature of biological species exists variability and is partly hereditary

2, In this variation there must exist some species which are more and some which are less adapted to the condition of environment where they live

3, Species which are more adapted have bigger possibility to create descendants. And when this process is repeated for a longer time then certain type in certain environment will spread and this is called = blind power

4, Everything alive has last universal common ancestor

Example for a blind power is very simple:

Imagine that you are walking some field and you come across a stone, what do you think of is that ok is a stone and it was here or somewhere around from the begun, but now imagine you found a watch.Probably you take it and observe it, you check if it works, you find out that is a machine which measures a time, you see from which kind of parts it is made so it is sure for you that there had to be someone who designed it someone we call watch-maker. Existence of watch prove an existence of watch-maker. But this is the thing which Darwin challenged.He is tried to say that watch can exist without watch-maker.

The choice of nature can be called something like a blind watch-maker – he get some parts of watches separately and one by one he makes a watch from it.The thing is that he doesn’t know that he is making a watch.

Darwin was a very big observant and had a big possibility to travel around the world what makes him very rich of the materials he could used for his theory.

Another example of his theory which nicely explain also how rules of environment included food,weather… influence variability in this planet is his observing of birds- finches in the islands where he found out that they differ depending on what surround them and especially what differ is their beak – tool for eating. The reason is that finches split all over the different islands and by evolution they adapted themselves to the world around them and its rules.

Evolution begins with the first life in this planet and thats for me also where the creation begins and where the rules are always present and there is nothing wrong with it. The word freedom would never exist and would never have such a powerful meaning without the word restriction = laws.

To finish I choose the last part of Darwin’s book On the Origin of Species:

“It is interesting to contemplate a tangled bank, clothed with many plants

of many kinds, with birds singing on the bushes, with various insects

flitting about, and with worms crawling through the damp earth, and to

reflect that these elaborately constructed forms, so different from each

other, and dependent upon each other in so complex a manner, have all been

produced by laws acting around us.  These laws, taken in the largest sense,

being Growth with reproduction; Inheritance which is almost implied by

reproduction; Variability from the indirect and direct action of the

conditions of life, and from use and disuse; a Ratio of Increase so high as

to lead to a Struggle for Life, and as a consequence to Natural Selection,

entailing Divergence of Character and the Extinction of less improved

forms.  Thus, from the war of nature, from famine and death, the most

exalted object which we are capable of conceiving, namely, the production

of the higher animals, directly follows.  There is grandeur in this view of

life, with its several powers, having been originally breathed by the

Creator into a few forms or into one; and that, whilst this planet has gone

circling on according to the fixed law of gravity, from so simple a

beginning endless forms most beautiful and most wonderful have been, and

are being evolved.”


Italian Music for Movies


Tuesday, June 1, 2010

- click on image to download this research pdf -

 

- also read 'There are rules behind complex and organic circumstances [x] -

 

The Design of Our Reality


Tuesday, June 1, 2010

Perceiving Reality. Every experience that can be had is a probability within our consciousness. Our experience is created in the Mind and is always 1/10 of a second delayed from reality. This delay is attributed to the processing time frame that occurs in the brain. When we visually perceive our environment, the photoreceptor neurons in the retina collect the light (frequencies) and send signals to a network of neurons that then generate electrical impulses that go to the brain. The brain then processes those impulses and gives information about what we are seeing to the self-aware experiencer, the conscious Mind.

"Visual pathway through the Eye" / "Visual pathways in the human brain" (more…)

Duct-tape


Tuesday, June 1, 2010

In April we had a lecture from Ayumi Higuchi. The lecture was about her essay in which she investigates the impact rules have or can have on the process of cause and effect in the creative process.

To give us a visual example how the rules work, Ayumi let us make trees out of duct-tape.

Although it was not the goal of the workshop, it was really nice to see how quickly you could make a beautifull installation with tape. This inspired me to search more about tape and the artist who work with it.

Quick history

Duct-tape was developed during World War II in 1942. It’s a water resistant sealing tape with a standard width of 48 mm. It was used to repair military equipment quickly, including jeeps, firearms and aircrafts, because of it’s strength and it’s water resistand quality.

The original name is duct-tape but the soldiers in World War II changed it into duck-tape because the word duct-tape was to simular to the name for the cotton fabric they used for tents and rain clothing.

After the war soldiers returned home and took the duct-tape with them, to use it around the house. Since then it serves all kinds of perpuses. In the 1970’s duct-tape even made it’s introduction into spaceflights. When the square carbon dioxide filters from Apollo 13 failed, they used duct-tape to fix it.

This saved the lives of the three astrounauts on board.

Over the years duct-tape became a very popular product. People are making items out of duct-tape or decorate objects with it. You even have a lot of websites with information about how to make stuff out of duct-tape, and movies on youtube with instructions how to make it. Like this movie, that shows how to make youre one wallet out of duct-tape.

Increased interest in creating these novelty and fashion pieces has given rise to designer duct-tape handbags, wallets, belts etc.

Not only designers are interested in duct-tape. Also a lot of artist use it.

Click here for more of these installations.



Aaksh Nihilani

Also a lot of graphic designers use duct-tape. Within typography it even got a new name: Tapography. (also used for typography made out ofcasette tapes )

Artist Aaksh Nihilani is one of the artist who works a lot with tape. For the Arario Gallery in New-York he made three installations with duct-tape.

His explanation about the works:

“Since the show was titled Paraphrase, I took the opportunity to get into some tekst, tapography. I did ubiquitous words that we all encounter in our daily travels, especially as a New Yorker, but I wanted my paraphrase of the words to be aesthetically ‘better ‘than their original. So the words pull, push, and exit are all written out in tape, as well as simultaneously being shown acted out, or about to be (as in the exit piece). They were all a little bigger then human scale so as to more objectify their viewer rather than the usual other way around. I think these installations were particularly succesful because they stayed true to the site specific nature of the wordk that got me the show in the first place (i.e. Using the gallery’s door hinge to complete some of my lines), but also took on new levels of content in the figuration of the letters, and new concepts/processes of using the tape to express qualities like peeling and falling”



Autobahn

An other example of a tapografic experiment is tapewriter bu Autobahn. It is developed during a seminar by Richard van der Laken and Eric Wie, and later developed until a type specimin.

Tapewriter is a typeface that gets it’s form from the fence of a soccer-cage. The width of a role duct-tape is exactly the same as the room between two bars of the fences from thes cages. The thought behind this font is that any one who ones a role of ducttape can share their thoughts with the rest of the world.

Tapewriter showes that you can write with anything and that any surface can become your paper.

More information and the total typefase you can find on the website of autobahn.



Experiments with Duct-tape

Inspired by this all I started to experiment with duct-tape myself.  My first experiment was just to write something on the wall with tape.

After that I wanted to create a 3-d effect into space, wich I achieved to tape tekst to my window an fotograph it with the outside landscape:

In my last experiment I really wanted to go 3-d. So I made lines with yellow tape in the air and made letters with black tape in it. It creates

a very interesting effect because it looks different from each side. As you can see on the picture below and the title picture.

Something Else . . .


Saturday, May 15, 2010

THERE ARE RULES BEHIND COMPLEX AND ORGANIC CIRCUMSTANCES

This is the opening sentence of “Rules” a graduation essay written by Ayumi Higuchi in which she investigates the impact rules have or can have on the process of cause and effect in the creative process. A story that drags you into the exiting process of research where every question or statement leads to two others.
Using interviews as a platform to ask questions and create interaction, she involves Jan Groenewold (physician-chef), Luna Maurer and Jonathan Puckey (graphic designers), Snejanka Mihaylova (philosopher-writer-artist) and Peter van Bergen (musician-composer) to talk about the subject from the perspective of their specific discipline.
Look for yourself how she illustrates this story with many images and quotes dragging you deeper into the matter every page, creating in depth understanding. Munari, Wittgenstein, 9/11, John Cage, mixing politics with art and science with nature to get her point across.

Ayumi visited us in April 2010 to present a workshop in which she planted the seed of understanding using Bruno Munari‘s observations; [] We can establish a rule of growth: the branch that follows is always slenderer than the one before it (Drawing a Tree).
Providing us with a trunk and applying two simple rules to it: The branch that follows must be slimmer than the one before -and- the tree must be symmetric, it quickly became clear that there are many rules behind complex and organic circumstances.

 

download this research essay: “RULES”, there are rules behind complex and organic structures


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