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"woman and design" Tag


A Research about research


Friday, October 26, 2018

Taking the Work “Relief Rug” from Dutch Artist Kitty van der Mijll Dekker, made in 1934 as a leading example, the following text will try to surround and highlight analogies as well as differences in researching online or in printed matter.
The following articles give additional information about the Artwork itself, the Artist as well as the Bauhaus.
Designblog Rietveld Academie

Stedelijk Amsterdam, Relief Rug by Kitty van der Mijll Dekker

History of Bauhaus in Dessau

 


1st Inscription; "Relief Rug" by Kitty van der Mijll Dekker

 


2nd Inscription; "Bauhaus" Stedelijk Museum Amsterdam

 

Starting with the inscription next to the piece as the first information the audience can get (which definitely is printed information as well), the text doesn’t say anything but the basic information we expect from such source. Juxtaposed with other objects, artworks and artifacts from the same period and art-movement, another inscription announces some facts about the Bauhaus, the educational institute van der Mijll Dekker attended. Therefore the very first appearance of printed information just adds little more as what a viewer could be expected to have as background knowledge.

Printed documentation from and about Bauhaus highlight the emphasis Walter Gropius, founder of the Bauhaus, put on the concern of equality between women and men inside the institution. The Bauhaus was one of the few institutions, where not only men but also women were allowed to attend. What seams ahead of time, quickly turned out as not very long lasting and supportive to the persons concerned. Here, the most significant gaps from printed matter to online material can be pointed out. While printed matter talks about a topic and somehow provides information, online publications and writings mostly start with questioning facts which are already researched and published. Some of them come with an outspoken opinion as well as a contemporary context and  as a reaction to other publications.

The disconnection from general information about the Bauhaus to the issue that female artists and their part of the Bauhaus legacy are barely mentioned in publications, that can be traced back to the difference of “providing information” with printed matter and “reacting on information” in online publication.

Frieze; Women in Bauhaus

Emma; Women in Bauhaus

Artsy; Women in Bauhaus

If assumed, a book or documentary publication is preserving information about its content, and not too much voicing an opinion, unless it is a critique, the reader gets broader information which needs to be classified afterwards by the reader itself. Going through the listened publications underneath, the attempt to sum up or conclude seams to be more present than putting forward a subjective perception or even including a critical position.

 


“The Worlds Greatest Art – Bauhaus“ by Andrew Kennedy, 2006 • “Das Bauhaus“ by Hans M. Wingler, 1962

 


“Bauhaus“ by Magdalena Droste, 1990 • “Human – Space – Machine. Stage Experiments at the Bauhaus“ Eds.: Torsten Blume, Christian Hiller, Bauhaus Dessau Foundation, 2014

 

Simply spoken, these books come with a quality of objectivity that allows the reader to bring further a general knowledge. It builds up kind of a base where more specific ideas or concerns start to unfold.

Research in literature may appear more challenging, since the linking to connected subjects is not provided and has to be done by the researcher. Google (or any kind of search engine) supports with its algorithm and referring proposals. Although this two faced matter, the advantage of high rated recommendations is considerable. It enables the user to quickly collect a lot of information from many different sources, processing the subject in different contexts. Whereas, as mentioned above, research based on printed matter asks the user itself to fulfill the role of Google’s algorithm. To later on distinguish the quality of information or confirming sources stays an important part of putting research forward to a conclusion. At the same time the internet’s bottomless quality leads to many dead-ends, what creates an alarming but ironical analogy with the lack of importance that was payed to refer female artists to the Bauhaus history.

Heading to a provisional end, the following experience works as an example of applied research.

“Looking for work about v.d. Mijll Dekker I first went to the library of the Rietveld Academie in Amsterdam. But I was not able to find any literature dealing with her or her work. But knowing that the artist was a part of the Bauhaus Dessau, I started looking through the English and German literature the library had to offer about the whole Bauhaus movement. Unfortunately, even looking through the register of them all, I wasn’t able to find anything about her specifically. So I tried finding out more about the women who were part of the Bauhaus. I started researching information about different influential women who were part of the movement. That turned out as quite a challenge. After this I went to the library of the Stedelijk museum in Amsterdam. But also there I could only find few new information on Mijll Dekker and her work.“ progress report, field researcher L.P., Amsterdam October 2018

 

Text by Luca Putz & Jonas Morgenthaler, GRA 2018

My grandmother and her weave


Friday, May 28, 2010

I want to tell you about my grandmother and needlework.

My grandmother had a big house and in one of the rooms she had a weave. On the weave she made tablecloths and carpets out of old sheets and fabrics. She ripped the fabric in to long thin strings and weaved them in to carpets. Some of the carpets she made where for her own house, some for the summerhouse and others to give away to family and friends.

My grandmother had an education as a nurse but after she married my grandfather she became a housewife. No busy work life for her but instead she had time to do different kinds of needlework an of course be a wife and mother. After her children moved out of the house she also developed new interest such as hunting to spend more time with my grandfather who was a keen hunter. But enough about her life story so far because this text is about the needlework she made and her as an example for a generation of woman and design.

The carpets she made are called kludetæpper in Danish, which directly translated means rag carpets in English. A better word for it in English would properly be patchwork carpets. The technique is that you ripe a bunch of old fabrics such as sheets or bed linen into long thin shreds about one centimetre wide. You then weave the shreds together again into rectangular carpets. The results is colour full thick carpets. When weaving you can also make patterns or motifs in the carpets by selecting the specific colours and then applying them in a pattern. The more traditional look of the carpets is a wide blend of colours without a specific pattern or motif.

A patchwork carpet my grandmother made

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