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"warp" Tag

Tapestry of knowledge

Tuesday, April 12, 2016




Structure of library and structure of textile.

It’s all about information and network.

First of all what is a structure ?

  1. the way in which the parts of a system or object are arranged or organized, or a system arranged in this way
  2.  the arrangement of particles or parts in a substance or body  ex: “molecular structure”
  3. the relationship or organization of the component parts of a work of art or literature

I get interest in the structure of materials, and in especially structure of fabric. Then I looked for the definition of fabric.

  1.  structural plan or style of construction
  2.  the basic structure of something
  3. A distinctive, complex underlying pattern or structure:
    contexture, fiber, texture, warp and woof, web

I decided to assimilate information to threads which are connected to each other in an interweaving organization and which need each other to create a textile and here a complet knowledge.

Then, I considered the book not as an object which is part of a shelf but as a composant of it. As the equivalent of a thread in a piece of fabric. The library couldn’t exist without books as the textile without threads.

A book is already subject to an organisation and structuration : composed of letters making words, sentences, informations on a theme.

Paragraphs, pages, chapters, subjects. All the elements are accumulated and are mixed.

It’s the same in the library. All the books make links to other ones : by there subjects, the movements, the contexts they deal with, or the references they make.

An artist is part of a movement which combines several artists. Thus we already acquire new information to organize.  We also have to take in count that a movement is included in a period of time which makes echoes to events and context.


First, I decomposed the notion of book and the notion of textile in the form of a web in order to understand and make a link between Textile and Book. I realized this two approaches shared the notions of Web-work and Information. Then, it came the bas e of my concept.



This structure made of links, interweaving of subjects, shared thematics is the base of the organisation I would like to try.

I took a book by chance in the library and decided to put it in the center of a « web » made of criteria and information.

It was a book about Marina Abramovic’s works and I made a list of the criteria which were related to this book.



-Artist book : Marina Abramovic

-Categorie : Conceptual art

-Technique : Performance, video

-Subject : Body, pain

-Collection of the book : Museum of Modern Art Oxford


As we could expect, this book is already linked to many others in the library and we can look for books which the same criteria.


This way of selection and organisation let us the possibility to associate information on a subject more efficiently. The research we make can be more detailed and in depth

Thus, this tidying of books is undertaken through a web, a kind of tapestry of knowledge.

But many criteria can be considered and we could even use tags for each books :


Marina ABRAMOVIC’s book :

#Marina Abramovic

#Artist book – Monograph

#Conceptual Art




My first idea was to take one tag # for one thread. And thus, to consider that the tags are representing by the warp strings, and each book by one weft string.

Now, let’s take the same book as above. We have this book about Marina Abramovicwhich which refers to five tags and thus, refers to 5 strings in the warp.

All these related words can complicate and confuse the organisation we try to make. But what is interesting, is the fact that each tag # is also linked to another one, so linked to another book in the library.


But before, I would like to introduce briefly the principe of warp and weft :


The warp threads are held in place by the loom while the weft thread travels over and under the warp threads.


Books are related to each other because of the subjects, themes and notions they deal with. I chose three books in the library,  that I’ve represented by colors weft threads in the weaving :

Colors of the threads in the photo below :

Marina Abramovic book

Marcel Duchamp book

Joseph Kosuth book


Indeed, we remark that two of the books I’ve chosen share some notion. For instance Marina Abramovic and Marcel Duchamp’s books broach the notion of performance. Thus, in the weaving the weft threads which correspond to them will be weaved on the warp thread that correspond to “performance”.

With this way of thinking, the organization of books lets appear a pattern and create a weaving.


A tapestry which reflects how the books are organized.


However, this research of layout and combination reminded me the Jacquard Loom and its mechanism.

Then, I get interest in the paper tapes constructed from Punched Card  made for controlling textile looms in the 19th century.




I choose to represent the thematic and subject tags by the horizontal threads (the weft strings) and the technics/medium used tags by the vertical threads which correspond to the warp strings.

Then appears a kind of pattern, created by the different locations of the book in the “weaving organisation”.



Each blocks of colors corresponding to a book, I transposed them is a uni-color pattern.



Then, by combinations we can put the books in a “web”. And as the punched cards, each marks (here in black) contain information and their positioning in the structure correspond to the way their will be tidy.


Weaving Designblog

Wednesday, April 9, 2014


Through my browsing on the designblog I stumbled upon different tags/keywords. Each played a vital part in leading to my final destination:[x] In this final state of my browsing I found a structure of several dimensions and connections, where each point leads to the other. I let this be symbol of my browsing by visualizing each tag as part of this structure. As the result I create the diagram of my browsing.

Weaving through the paradoxes and dilemmas in protesting

Wednesday, April 9, 2014

After clicking around this Designblog, I came across the post about Caroline Lindo’s thesis work ”The Surface of Protest”. The post is called ”Creating Destruction” which i find quite an intriguing contradiction. In her thesis project Caroline Lindo is investigating the meaning of protesting, different ways of doing so and which meaning they each imply. She essentially aims at answering the question: ”What is the most efficient – yet morally just – way of protesting?”

I would indeed like to know the answer to this question.

Lindo is directly relating the rules and structures of society and economics to the craft of weaving which apparently is also quit a rigid system (written in the attached PDF). Lindo tells us of have the warp (the amount of lengthwise yarns, that are held in tension within a frame, for threads to go under and over), within the art of weaving, has symbolized the basic structure of living which humans have to accept. The weft (the thread or yarn pulled through the warp) represents all the choices and decisions humans make for themselves in life.


Skærmbillede 2014-04-09 kl. 10.45.10


I find this symbolism quite moving.

To me it seems that with this as the background, Lindo is reconsidering which weft to take, instead of using the one given to her by society. Can you even make a protest using the ”weft” given to you by society or do you have to cut all of these threads and come up with new ones yourself? Will anything constructive aspire from this? Is it hypocrisy to use the tread – the means, structure, environment given by society – in making protest? Or is it not? These are all questions she is investigating  throughout her thesis.

As a research field she attended Occupy Amsterdam, which went worldwide in 2008 as a reaction on the financial crisis. She is studying the way of protesting through the tent-cities, which occurred during the same events. I always find it quite striking whenever someone manages to making such an abstract theme tangible, as Lindo does.


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