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"Books by Design 4" Project


Catalogue–as–exhibition


Thursday, January 19, 2017

What do you see when you look at a book for the first time? Is it the title? Is the typeface on a cover? Is it color? Alternatively, material? Why do we still print books if we have the internet, computers, e-books, tablets, and phones, some of which have a screen of a pocketbook? Well, in fact, because we still need a physical medium. It is notably hard to predict the development of technology. Fifteen years ago we could get a DVD exhibition catalog or indeed a movie. It would be a modern and bright solution, maybe quite fashionable.

feeling the book 2

People who are questioning the need for printed books assume it is easier to read from digital sources. Furthermore, It is simpler to carry, and the digital book does not require physical place. Nonetheless, why do we need a material text? ‘The book, if properly designed can last more than five hundred years’ – says Irma Boom. However, digital data can probably remain longer. Though it is the feeling that makes the book unique. It is the design transformed into a three-dimensional object.

xerox book

book feeling

 Xerox Book (1) and Seth Siegelaub: Beyond Conceptual Art (2)

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Approaching the Archive


Sunday, December 11, 2016

‘Approaching the Archive’ begins from a coincidence that becomes an unexpected point of access to the archive and book collection of artist, writer, editor and graphic designer Will Holder, in the context of his exhibition ‘Sorry! NO we don’t do REQUESTS’ at Kunstverein in Amsterdam.

The essay deals with the successful as well as the unsuccessful attempts at trying to grasp a lot of material in a little space, and the systems that one makes up in order to organize and process content through. Moreover, it is an essay about books and the stories and associations they convey, as well as it is about the finding of an unexpected relationship between ‘typography’ and ‘topography’.

Will Holder click on the image to download the pdf


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