Designblog

Didn’t I see this before?

Have you ever had this strange, but uncertain feeling that you have experienced something before? An overwhelming sense of familiarity? A moment you are not sure if something similar or the exact same thing already happened? Then you belong to the majority of people who have had a déjà vu. Scientists are still unsure how to explain this phenomenon. Some try to link it to memory functions, claiming that familiar events can trigger memories of forgotten information. Some say it’s a more like a “memory check” of our brain: a signal that there is a conflict between what we think we’ve experienced and what we actually did experience.

In a web app I created for iPads you can move along stories told by various images and collages of hands. Sometimes you end up at a point you think you have experienced before. But is it really the same, or does it just familiar? You might just have a déjà vu.

There are other interesting theories as well that try to explain a déjà vu:

Precognition: We have the power of foresight. A déjà vu is the evidence that we are actually able to predict the future.

Reincarnation: We have lived before. A déjà vu is the surfacing of a hidden memory, evidence of a previous existence.

Higher dimension: Our consciousness actually exists outside of our physical bodies in a higher dimension, and when a déjà vu occurs, it’s a brief moment when that separation becomes clear.

Parallel universes: There are other versions of ourselves, living in parallel universes. A déjà vu is a moment we share a memory with an alter ego of another universe.

When browsing through the internet, we often experience this feeling of familiarity. Links and tags create a confusing net of intertwined information, often taking you back to a page you have been before. But because of the information overload we are exposed to, we are often not sure. Maybe you experienced it while surfing through the Design Blog, using the various tags. And you asked yourself, didn’t I see this before?

Finding your way in the Designblog, we all do it in a different way. What catches our interests? What do we remember of it and how do we connect it to other links, artists, events, books etc? I was browsing thru the Designblog and ended up in the category ‘Beeld en Taal’ (image and language), went into the illustration part and found this post: Considerations on the matter of drawing.  Luca Carboni is explaining his fascinations for drawing and asks himself if drawing is one of the oldest way in which mankind is expressing itself, is drawing a medium in which the Zeitgeist is always an important part.

In drawing you can see the influence of the time. Luca says: ‘As an expression of time it’s the best medium to communicate something of that moment, every idea, process, image.’

    Luca connects this with the book “The New Yorker Album of Drawings 1925-1975” from the Rietveld library. The book exists out of different cartoons from “New Yorker” magazine in the period 1925 till 1975.  Cartoons made by: Saul Steinberg, William Steig, Richard Taylor, Peter Arno, Charles Barsotti, Geoge Booth, Barney Tobey, James Thurber, Charles Saxon and many more. One of the best known is Saul Steinberg who worked for almost 60 years for the New Yorker. The magazine is a combination of fiction and journalism. The cartoons in the magazine have always played an important role. Above that, until the 1990s they never used photographs but only illustration.

When I read the post for the first time, I immediately made the connection with the artists Brecht Evens (born in 1986). He is a Belgium artists who makes a lot of cartoons, illustrations and strips. I think in his beautiful watercolor drawings  you can see that the time we live is an import aspect, just like in the album of drawings from the New Yorker. Evans worked for the ‘New York times himself. A part from that he published two books. Most recent: “De liefhebbers” [The Making Of] (2011) and before that “Ergens waar je niet wil zijn” [The Wrong Place] (2009).

In the cartoons of the New Yorker the zeitgeist indeed plays an import part. And it is this what makes those drawings so smart and funny. Is this all that matters?  Was it only the time we lived in, that played an import roll. We still do admire the drawings and cartoons these artists made. The drawings still speak to us.

The same goes for Brecht Evens. There is something mysterious about these drawings that always holds our attention, regardless of the time in which we live.

This is a search that started as a response to the 'Orthogonal Allegory Thesis' I found at the the essays page of Designblog. It shows the dynamic of my browsing, dealing with the facts I bumped into, as well as the associative impulses that coincides with it. I tried to translate my sketched browse history into a text version, to make it more readable ! If you click it, an interactive pdf. version will create that experience for you.


If I tell you architecture, you’ll tell me SQUARE

If I tell you nature, you’ll tell me ROUND

We obviously link architecture to geometry, structure, squares, etc… and nature to organic features and therefore curves and irregularity.

Therefore what is interesting is the notion of curve in architecture.

We started seing curving architectures at the same time as the introduction of movement in art (cubism, kinetic art, futurism, chrono-photography, mobiles, etc….)

Beyond the fact that it’s aesthetically seducing, and beyond the fact that it is bringing movement, curves are attracting more attention from your brain.

Psychologist Oshin Vartanian made researches on what was going on in people’s brains as they viewed two rooms — one with rounded features, the other more rectangular. First of all, the ones that were confronted to the curvy one were more likely to define it as “beautiful”. They also displayed more activity in a part of the brain called the anterior cingulate cortex that, among other functions, is linked to the brain’s ability to regulate and process emotions.

Curved buildings can point to nature, whereas angular buildings contrast with it. Straight lines and angular shapes are disconnecting a building from nature, and humans natural state. It is reducing everything into a harsh and boxy aspect, which we naturally don’t identify in so much.

I observe (on a very personal level) that in the end my attraction goes to buildings balancing the angle and the curve. The final reconciliation between “organic” and “organized”. People like Frank Gehry, Herzog et de Meuron, Oscar Niemeyer, Zaha Hadid, Rudi Ricciotti and many others are/have been working on it and succeeded quite well so far, to bring new rules and esthetics to modern architecture, inspired from the so called international style and reconciled with more organic references, as well with new materials that are more environmental friendly.

I am starting for this occasion a tumblr “Curves” where I will be developing this idea through posts and references, grasping a lot of elements orbiting around this, and that is starting from this thesis that I invite you to read on Orthogonal Allegory in Architecture by Anton Stuckhardt [graduation essay [x].

How does the history of browsing stay in your memory?
How do we perceive the visual experience of websites which are opening up in new windows?
I question myself and try to observe my behavior when I am browsing around Internet webs. How do I chose the website and what makes me choose them? What determines if I like to stay on the page and look properly through it or if I click to the next page?
What is my choice based on? What visual experience do I get? What videos do I chose to click on? Is it exiting enough to look what is next? I think most of my internet browsing is based on visual experience, except particular situations when I am looking for certain subjects, where the context is more important than the visual experience.
Almost every morning, when I am starting my day, like a due during the breakfast I check my mailbox, read the news and brows around interesting blogs . Mostly they are about music, art, fashion,  news, or just whatever captures my eye.
“Capture my eyes” what are they capturing exactly? I think it is the matter of personal choice, what color, forms, shapes you are attracted to.
I find out that my choice of webpage is purely based on visual impression and it does not necessarily have anything to do with content. After I browse trough what stays in my memory and for how long?  What do I keep in my mind and what can easily be forgotten?

I choose to open Designblog for the first time, looked at the first page which comes out and then close it in 1 minute. I sketched my first impression immediately, what was there? Few geometrical shapes, and bright attractive colors this was the most catchy and noteworthy things.

Next step, I simply let myself browse for half an hour, without forcing myself to memorize, reading most interesting things, watching concerning videos or look at images and illustrate my memories. As a result I had same expressive geometrical shapes and specifically recognizable colors, also some words or sentences from the context.
What was my experience? Well even if I illustrate and was attracted by colors, mostly I memorize the context of the posts and the idea what it was about.

After this I browsed around in 1 page for fifteen minutes

Finaly I watched a video, not paying attention to the surroundings

project by Annelotte Lammertse + Anouk Hoogendoorn

When I was going through the blog, this tag got my attention. When I see the title I think of different bodies with different shapes, fat, thin, skinny… First I just went through the photos and didnt read the text. I wanted to see how my relation with the post will be just considering photos without the text. The post is actually different from what I thought it would be.

It’s interesting because there are many artists that use their body as an art work or use their bodies to develop their ideas. In this post, there are bodies that are formed to shape like alphabets and numbers. Also activists and protesters that write on their body or for example girls that get naked and go to Vatican to protest against religious laws against them.

There are so many things that you can do with your body. I did a project on using human body to shape like music notes.

When i saw this tag, i felt i needed one. A beautiful morning.

the text described various things, but the interesting part i got out of it was, live life slow, and you will enjoy it the most. when you get fed up by everything else, you should just focus. focus on what is there, and see what it brings you,

what is really there (?) always that question that is there. is it that, what we feel, what we see, what we touch, maybe even what we miss. a slow beautiful morning, will pass by. what will attract our eyes? dirty dishes, stains on the windows, some old clothes on the floor,  the things you knew that you had to do? the things you thought they would stay away, the things you don’t want to see coming, the crack in the wall, crumbles on the table, the flowers next to it, the people outside, the blue sky that is there, the birds who are nesting in the tree next to your house, your nephews birthday that is coming up, your birthday will be soon to, the sun that is getting up, your breakfast that taste’s much better now, the things you accomplished yesterday which you don’t have to do again, your favorite shirt clean and on again, your music on the background, the realization you will have to go outside to go to school, the sun on your face, the train you manage to get this time, and the school that starts your day again. the people who you missed during holiday, the tea in the morning, fresh baking smell trough the school,

Eventually it is the way you look at it, the way you remember it, will feel it, recognize it again and again.

‘Just look at the bright side of life.’

I’m interested in taking forms and colours from the world around me and then making objects and drawings which share a similar form or colour. I was interested in the post “shades of blue” by George Kratochvil. A colour chart by Ignaz Schiffermüller, made in the 18th century, to ‘distinguishing between blue’s in the nature’, was the inspiration for a small sculptural work of blue abstract forms. Schiffermuller began by observing the shades of blue in the nature that he observed as a biologist and made an abstract representation of them in the making of his colour chart, which takes the shades of blue into the form of rectangles in a grid pattern. Kratochvil then observes the colour blue, the shapes in a grid pattern, and transforms it into his work. I now come and look through the design blog and am interested in the colour blue, I search for this keyword, open the post that has been made and comment on it. I also observe the shapes of Kratochvils sculpture and have created a drawing which uses them again with the colour blue. The use of past artworks as inspiration causes ideas to mutate in strange and interesting ways- thus is the use of this blog; to provide a library of ideas and images of which to take and re create things from. The drawing I have posted today is part of a dialogue that was started in the 18th century and now exists in a digital way on a blog where you are reading it and entering that dialogue.

I found the blog post “Chaos and Order” when I was looking at different tags on the design blog. I thought the tag and title “Chaos and order” seemed interesting and I started to read the blog-post.
The text is based on the Dutch architect and graphic designer Hendrik Wijdeveld’s exhibition ” To plan the impossible” [x].

Henk Wiljdeveld had a romantic viewpoint with a focus on nature and the universe in his utopian architecture. His project “Chaos and order” [x] was a proposal for an alternative expansion of Amsterdam. He wanted to protect Amsterdam from chaos from Randstad. In his plan Amsterdam as a perfect star shaped city with green surroundings from the city centre to the edge. He was searching for an universal model of urbanisation.

The blog-post “Chaos and order” starts with:

“Chaos and order in its most extreme form can be used as a formula for practically everything. From the beginning of time to the death of universe.”

” Chaos and Order” also refers to the Saussurean constructionist’s who believe that you cannot understand a word until you are aware of its opposite. To understand order you need a understanding of chaos. Saussure is the father of modern structural linguistics and he means that meaning is constructed by the use of the language. It is not fixed. Saussure divides the sign in the categories, the signifier and the signified. The signifier is the actual word or sign while the Signified is our idea of the concept.

A lot of focus in the blog-post is on the Universe and life/death in relation to order and chaos. To grasp this huge questions is not simple and I tried to relate the idea of chaos and order on myself.

If you see “order and chaos” from a personal perspective chaos and order are essential elements of daily life. It is impossible to have order everywhere. Chaos is somehow always present. It is as if you are just able to focus on order for some elements of your life at the same time. When you focus on one part and create an order other parts will be in a state of chaos. A very literal example is an article I read about that it exists two types of people the type who is spending a lot of time on cleaning and therefore can find everything fast and the type that is living in chaos but does spend a lot of time looking for things. Both types are spending the same amount of time but some are creating order and others do search in chaos.

uncategorized?

like not black
not white
not even gray
why can’t you define this time?
define define divide define
no category
what about you?
what’s your favorite category anyway?
well, what’s your category anyway?
feel better while categorizing, not this time
no gender, no nationality, no ideology, no what, now what?
no nothing
nothing
nothing
something
some thing
some think
thin thin thin thin thin
line between defined and undefined
they are neutral, they are lost, or just hard to define
that’s it

in the end not such a bad category.

Through my browsing on the designblog I stumbled upon different tags/keywords. Each played a vital part in leading to my final destination: https://designblog.rietveldacademie.nl/?p=25122.[x] In this final state of my browsing I found a structure of several dimensions and connections, where each point leads to the other. I let this be symbol of my browsing by visualizing each tag as part of this structure. As the result I create the diagram of my browsing.
 

After clicking around this Designblog, I came across the post about Caroline Lindo’s thesis work ”The Surface of Protest”. The post is called ”Creating Destruction” which i find quite an intriguing contradiction. In her thesis project Caroline Lindo is investigating the meaning of protesting, different ways of doing so and which meaning they each imply. She essentially aims at answering the question: ”What is the most efficient – yet morally just – way of protesting?”

I would indeed like to know the answer to this question.

Lindo is directly relating the rules and structures of society and economics to the craft of weaving which apparently is also quit a rigid system (written in the attached PDF). Lindo tells us of have the warp (the amount of lengthwise yarns, that are held in tension within a frame, for threads to go under and over), within the art of weaving, has symbolized the basic structure of living which humans have to accept. The weft (the thread or yarn pulled through the warp) represents all the choices and decisions humans make for themselves in life.

I find this symbolism quite moving.

To me it seems that with this as the background, Lindo is reconsidering which weft to take, instead of using the one given to her by society. Can you even make a protest using the ”weft” given to you by society or do you have to cut all of these threads and come up with new ones yourself? Will anything constructive aspire from this? Is it hypocrisy to use the tread – the means, structure, environment given by society – in making protest? Or is it not? These are all questions she is investigating  throughout her thesis.

As a research field she attended Occupy Amsterdam, which went worldwide in 2008 as a reaction on the financial crisis. She is studying the way of protesting through the tent-cities, which occurred during the same events. I always find it quite striking whenever someone manages to making such an abstract theme tangible, as Lindo does.

Looking at the history of my browsing, I find the fact that every page and every single piece of data on the design blog has its own little index/address very interesting. I feel like internet lives its own life. It is very much like a non stop growing organism and it is also expanding so fast. The designblog is a little part of that organism/creator. This screenshot shows the contrast between that short moment of browsing through the designblog and the very rapid data reproduction during that short moment.

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#rediscover

#fashionwithagoldtread