These works are created unintentionally over years, silently coming into form. The first work, a tin used to collect small parts of paint where after some years dust has assembled on the surface to grow on the paint and bloom into a totally new object. In the second work it is about the paint dripping down and forming stalactites. Both works that at first had no apparent form/function or where the object is somewhat misused, they had time to grow and form a skin that now attracts full attention. These objects have a certain relation to imitation (faux) where I assume that you would expect a different material at first, something that has a long thinking process behind it, and where technique seems to be funest to create such an ornamental artwork. These works hide perfectly behind being part of a long growing process where they just slowly and unnoticed can find their purpose. Also it is interesting to think about certain materials and their aging form where the possibilities and speculations seem to be endless. I think these objects have an interesting point of view where you have to think about an aging process. You wouldn’t be actually able to make something like this in a short amount of time and where you almost never really will be able to control the way it will grow. This way of designing that is more unintentional, often by accident, requires an eye on detail, tryouts and attention. For me personally these works that sometimes almost appear accidentally by just trying out things and looking closely to the options, combinations and faults, are the things that bring some depth or in some way a soul into the work where I want to approach it as a living form that deserves a place to get recognition.
Silent Witness 1 and 2, private collection C.Pompe. exh.cat.no.19A/19B-lustre
