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"Slow design" Project

Great expectations

Monday, February 16, 2009

We all have expectations of what is going to happen in the future. What is going to be the next? It is impossible to figure out the unknown. The best way is to let time tell. As an experiment, I put a used shoe in an aquarium and let my friend draw his expectations of what was going to happen with the shoe through time. His drawings said more about how the water disappeared rather than the transformation of the shoe. The result after four weeks showed something completely different.

My conclusion is, we always have thoughts and ideas about how things are going to turn out. The fear of disappointment and the dream of the perfect end makes us forget the surprising. The so called “great” expectations.


Monday, February 16, 2009

Because this will not work in OUR reality.
No, I can’t think like this.
That is what she said.
My answer was: my apologies, but i simply don’t have any time left.
Would you mind?
The next one please.
GOD what a nightmare.
Where are my feelings?
No not necessary they make me run out off time,
and time is MONEY AND THAT IS WORTH A LIFE, even your life realize that.
YES MADAM. I said.
said my boss.
CAN YOU GO 2000 k/m a hour?
And there it went.
MADAM it’s o.k now.
It is different here, they name it SLOW.
I can glance at you,
only you will not be able to see me.

posted by Beties Sadaty

Slow Textiles: Marie Ilse Bourlanges

Monday, February 16, 2009

Traces of the everyday embedded in textile

Rietveld graduate (2008 TXT) Marie Ilse Bourlanges visited the Slow Design research class on Thursday 12 February to present about her graduation project, ‘Decay,’ a collection of sweaters exploring complex relationships of time, the body and materiality.  By taking the class through her project from concept to final product, Marie Ilse revealed the deep and mindful processes of research, design development, experimentation, and production that enriched her project.  She talked about sources of inspiration: the work of writer/biologist Midas Dekkers, the concept of Time in the work of Belgian fashion designer Martin Margiela,  the symbiotic relationship of crumbling architectural forms and the natural forces that overtake them, patterns of cellular growth and decay, and the hidden treasures of a threadbare teddy belonging to her niece (among others).  She also described the evolution of her pattern, which derived from capturing subtle, everyday body movements and subsequently was subjected to fractal geometry, while also providing instructive detail about her various stages of experimentation with materials and techniques.  Marie Ilse’s project is a beautiful example of Slowness as a process of designing, and also Slowness as a more engaged and reflective experience of a designed artifact.  Her work on this project demonstrates how Slow Design tools and persepectives were supported and enhanced by the atmosphere of the Rietveld, and it hopefully was reminder to the Basic Year students about both the opportunities and intrinsic responsibilities of creative education.

download this thesis‘Decay’  by Marie Ilse Bourlanges was

the Winner, of the GRA Thesis Award 2008

Slow to the End

Monday, February 16, 2009

Generally I think of slowness as something nice, peaceful. Take your time so you can think it over. Take it easy. But it can sometimes be unnoticeable and maybe even destructive in some cases. Things can slip in and out of your life or work. You don’t see it at first, but it can have the most horrible consequences when you finally notice them. Maybe after the great slowness must come a lot of speed to catch up witch will end in an eruption of horribleness. Or just continue to be slow to the end.

posted by Tim Mathijsen

Quick, quick, quick.

Monday, February 16, 2009

Everybody are always demanding of me to be quick.  But what´s the
hurry?  Time won´t go faster or slower.  If I´m late I embrace that
knowledge and think ” Oh well, I´m late anyway.  What are 20 minutes
more?”.  Of course that way of thinking doesn´t work when you have a
job or school.  But when I oversleep I rather take my own time in
eating, putting on clothes and making sure I have everything for the
day instead of feeling shitty in the rest of it.  But in the fast,
systematic world this type of thinking is not acceptable.  Doing
things in your own pace hardly exists anymore because we are slaves of
the time.  Even when I don´t have anything to do after school except
for getting my ass home I hurry to get more time to do nothing.  That
is kind of perverted.  Time for nothing.

posting by Thordis Zoega


Saturday, February 14, 2009

listen to William Fitzsimmons while reading X

No time

Thursday, February 12, 2009

Saturday evening. I set up my alarm clock at 9:30, pretty early for a free Sunday.
It’s not that I want to be out of bed around that time. I’m going to watch Villa Achterwerk op Ned 3 in the morning. Before it starts I get a cup of thee and a sandwich. To have breakfast in bed, while watching Villa Achterwerk. As we did when I was littel. Walking to the bathroom on slippers and a soft bathrobe, having a relaxing shower to get fresh. Putting on a comfortable jogging suit. Lunch with a few sandwiches and if I’m lucky an egg. Dress up warm to have a walk outside, getting fresh air and watch the street outside. I see Cat’s sitting on the street, or sleeping on the heater behind the window. Moments where time isn’t important, i should have more moments like that.


Thursday, February 12, 2009

“Slow” for me is enjoying life in the way I like it myself.
The slowest thing that I did, which I can remember, is to make an artwork.

Sometimes it takes months or years to finish it.
The process of being an artist is also slow for me, but I am enjoying this process a lot. The most unique part of an artwork is that not everyone can understand the meaning and feeling of it. During my research I have found sentences from Robert Hughes that made me very curious:

What we need more of art: art that holds time as a vase holds water; art that grows out of modes of perception and making whose skill and doggedness make you think and feel; art that isn’t merely sensational, that doesn’t get its message across in ten seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures”.
It makes an artist very special making this kind of art.

Self-chosen Speed

Thursday, February 12, 2009

Somebody should not ignore the beauty of products, nether do I, but an overload of the visual and mental impact of consumption is forcing me to find a way to deal with this headache, which emerges from the stress of speed. Speed is arising from measurement. So the first step was to put down my watch to give myself some freedom. But “slowness” almost doesn’t exist in my life, what means that the stress is not erasable. What is left is to find a way out of this reality into daydream spaces, where I can have the total freedom of time in a self-chosen speed or system. “Daydream spaces, such as those generated by reading a good book, are often more commanding than physical spaces. While you read, you don’t even notice people who walk through the room because you are actually in the space that’s generated by the author. … the spaces generated by music can be much larger than the one in which you are physically…” here I totally agree with James Turrell. The same goes when he says that these are the spaces that we are inhabiting most of the time, much more then the conscious awake space that is called reality.

Systems are not for “Slowers”

Wednesday, February 11, 2009

Which is everything I’m not. I like systems. I like structure. I like planning and going after the plan. I like schedules to follow and get annoyed with people who don’t. I’m always on time, and get anxious when I’m running late, even five minutes!
But why does all of this sound so negative?
I don’t find it negative though. I find it a quality. It makes sense and it works in a lot of cases. Like for instance in public transport, sleep, opening hours, work and even time is logical constructed for world structure.
And I don’t want to feel stupid waiting in the rain and my friend calls me, “ I’m late – sorry”! But I do – why?
Is it me – am I too controlled? Or is it everyone else who simply doesn’t care?
What is most effective – and again is effective good or bad. It’s like a circle I won’t get anywhere with.

posted by Maria Gondek Keller Pedersen

standing still

Wednesday, February 11, 2009

I will start with a beautifull sentence that has inspired me often. ”standing still for a moment, is actually a big step forward. So I stand still the whole day”. This sentence is a complete overview of what slowness is for me. But is this in connexion to any kind of design or art? For me in some cases this standing still adds a big layer in looking at things. By looking at objects and art for more than an hour and from the same perspective, it gives a new strength. But is there a way to make other people expierence this power of standing still. What could design/art add to this?

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