Designblog

And again repetition. It’s also ironic, to repeat a search for repetition. But this time it’s different:
this time it’s art;
this time it’s pink;
this time it’s really big;
this time it’s Sophie Calle.
But still it’s repetition

A letter, over and over again, but the same letter. 30 women from different ages, professions, layers read it, interpretate it into what they think is the content. Now suddenly it seems not to be about the same letter anymore, but it is!
Repetition in language apparently is different than repetition in forms and shapes.
Language has a personality to it that by the slightest (miss) interpretation or (miss) understanding, the content seems to change. So now it’s not a repetition of the same letter 30 times, it’s about 30 different letters.
I get confused now, because I seemed to think that our interpretation of forms, prints and products would be more alike for everybody. Because a form is a form and a product is a product. Because we learned a cup is to drink from, we see a cup to drink from.

We also learned the meaning of words, but somewhere through life these meanings seem to form itself into (slightly) different ones.
Our idea about forms and products are also changing through life, but it somehow seems to me that there is more of a conventional thing to it, or al least a less personal one. At least the function.

cat.no. -call-2

keyword: repetition

Our sculpture teacher gave us an assignment this monday: To make a sculpture based on a painting by Philip Guston. He had also brought a book. I looked at it, and to my great surprise I had found a third pyramid. The painting on the cover is called “Pyramid and shoe”.

Guston, who first was an abstract expressionist, begun painting cartoonesque images of his everyday life and looking at them is like taking part of it.

About the painting pyramid and shoe:

“In pyramid and shoe (1977) the two objects named meet litteraly on an equal footing. The latter being no  less rooted in place than the former, it represents the individual and the ephemeral confronting the anonumous , the collective and the eternal”.

cat. nr: GUS 3

keyword: pyramid

I was walking around with the keyword in me mind: connection… And this nice little book jumped out.

This connection is really good. The human being fighting against the nature. One of the pictures shows a animal/person running away from a chanterelle, -Or is he just yelling “Hurrah” because he find the chanterelle, meanwhile he is wearing a rabbit costume?

This is a art book. A really art book. I don’t understand the connections anymore. The logic is gone!

It seems to be another way of communication, a more free way. I have to look at this book as an art book, and use another way of thinking.

cat.nr: -mut-3

keyword: connection

Doris Salcedo is a columbian sculptor who works with the seemingly fragile subject of memories. Salcedo has for years travelled the land of Columbia, searching out and listening to the stories of people who have witnessed and survived the cruel civil war. People that have lost parents, siblings, spouses, friends and neighbors to guerillas, drug gangs and military death squads. These stories Salcedo translates into beautifully unnerving sculptures. She works with everyday objects such as wardrobes, chairs and tables and she turn them into assemblage like sculptures.

In the Untitled series chairs and wardrobes merge into each other in solid blocks held together by concrete. The concrete fill out the hollowness inside the wardrobe and the space under the table as if trying to fix the memories and keep the secrets these spaces holds. In the work Unland the orphan tunic, two table halves becomes one, dependent on each other they create a new unity. Salcedo takes everyday objects and by slightly changing them she turn them into symbols for human relations and carriers of memories.

I feel affected by these works. They are curious, narrative, they want to tell the story but still don’t give away the secrets. I feel like this is art that wants to change the world, not in a big revolution, but by telling stories and changing us a tiny bit at the time, so slightly that it can barely be noticed. I’ll end this with a quote from the artist;

`I know that art doesn’t act directly I know that I cannot save anybody’s life, but art can keep ideas alive, ideas that can influence directly our everyday lives, our daily experience.´

cat.no. -salc 1-

keyword: fragile

Constructing patterns, all around the world.
That’s what they do in my last book also.
But now in a more emotional way, rather than functional.
Here its more clear what their dreams, fairs and thoughts are.

Outsiders,
as we call them,
just because they see it from their own vernacular perception.
More pure, more spontaneously, out of visionary need.
They are more independent from what we consider art.

cat.no: 705.9-car-1

keyword: culture

As a final post on flaneurship and neon lights in the city landscape, I chose to write about  Bruce Nauman. This might seem confusing, because his works are usually displayed in a gallery or a museum, quite isolated from the busy city environment that was my starting point for the first post.

Nauman made some installations with neon light, some containing text, others consist of images only. I chose these three examples from the mid-eighties (One Hundred Live and Die, 1984, Seven Figures, 1984, Mean Clown Welcome, 1985) for the more or less brutal messages they communicate.  I still don’t know what the medium neon in itself expresses. This needs a more elaborate research. I’ll try to give a short comparison between Nauman’s work and the neons in Vegas. Comparing these two types of neon signs arise questions about this romanticist (yet uncanny) idea of a flaneur who gets sucked into a dreamworld of lights in the city. The common divider between these works of Nauman and for instance the neon signs in Las Vegas is immediacy. Both types of signs are attacking the viewer, but the effects are parallel reversed to one another. Nauman plays with a system of repulsion, while in a competitive commercial context (such as Las Vegas), neon signs would rather be used to evoke attraction. Still, I think both have to do with desire.

cat.no. -naum-8

keyword: neon

“things as they are” is a book reflecting photojournalism of the last 50 years.
it is a documentary about the development and change in this specific genre, but also very useful as an overview of of social, political and enviromental topics, concerning the media in this timeperiod.
Its definition as an artbook functions, because it is dealing with the medium photography itself, aesthetics, how they change, but also with the investigation of reality and how it is and has been shown to us.
It’s great flipping through it for the matter of inspiration, information, investigation, interest and the aestetical experience.

cat.no. 761.6-pan-

keyword: overview

When browsing the exciting digital world that is the library catalogue I came across a title containing the evocative, mystic word… vorticism. Conjuring up images of covert religious sects full of sinister hooded eidolons walloping around subterranean crypts. Muttering arcane, paeanistic assertions filled with astonishing amounts of radiant, completely redundant verbosity. These esoteric figures adulated to the apotheosis of the vortex.

Not completely to my surprise it was nothing of the sort. It turned out to be something rather less inclined to cliché’s and more inclined to paintings.

cat. nr: 705.8 cor-1

keyword: develope envelope

While I was looking for the book, which could give me some materials about identity, I found, that there are not that many books about photography in our library. So, I decided to stop on this History book, which includes photos from 19th-20th century. I have chosen a portrait genre. But I found that it’s difficult to talk about this topic objectively, showing just a few examples. The idea was to show changes in society, that led to the changes in photography also. Not only technical innovations had influence on it. I can say that now we have a good material, good inheritance, that we can use in our work. And, of course, our present time has it’s own identity, interesting, what kind of changes it will leave after.

book no: 761-WAR-1

keyword: identity

we are humans…

humans who are creating…

creation is an human action…

humans who are destructing…

destruction is an human action…

creation and destruction

thats human, thats us…

-twom- I

keyword: playground

This whole century fashion has been very influenced by the arts. This is because of co-operations from the fashion- and artscene which started already in the beginning of the 20th century.

In the 80’s fashion was brought to the next level, there was an economic growth which brought the attitude of the individualism. On the other hand this pushed the rhythm of change which meant the originality was less interesting because of the many copies and this ended the modernity. The post modern esthetics blew the galleries and museums away with its welfare.

Everything was said and done, from now on creations were nothing more then reproductions. The convervatism who denied the value of progress and ideology, focussed on the main values. This means they re-appreciated the art of painting now-a-days and from the crinoline.

Today again we are very much into individuality, which forces us to be more and more personal with ourselves. The will to keep your unique individual self is actually a statement which connects you to a certain group. You want to be seen for your specific, different individual personality and want to be recognised for this. And because you are not the only one you suit in a certain group that thinks in the same way as you do so you still fit in a box. Off course every person is different, but actually how unique and individual are we…..?

Catalog nr: 11297

keyword: individuality

This letter I want to attach to my last message about national identity present in a street signs in different cultures. For the second time I’m using this book, which you can also take in a library. This time I’ve made a selection of posters made in different countries, but for the same movies. My thought was about the possibility of existance of different schools of postering. This posters, that you can find below, were made in the time when there were no internet for sending files with information and a designer or an artist had to improvise making a new masterpiece for the public. But this problem had made movie presentation even more interesting in different countries. Each country had added something special, non cliche. So, enjoy!

cat. nr: 754.1-keh-1

keyword: identity

It was big….impressively big. That’s why.

Maybe it wasn’t fair for the other books, because this book was also on a ‘special’ place. It had a place of its own as if it was more valuable than the others.
It’s not that I’m a shallow person, but it just caught my eye because of its physical appearance.
I think the pattern on the outside was disastrous by the way.

This book is about patterns. I became really fascinated about patterns, because it seems to bet hat everything becomes a pattern as long as you repeat the shape, form, act or colour over and over again. This is also how patterns become part of our life. Interesting

…At least I thought so

cat. nr. : 701.9-sch-1

keyword: repetition

You start playing with plastic cubes…
for now, they are big… easy to fix…

they get smaller… it s time to play more precisely…

they are really tiny… play really precisely…

50 years later… still playing with cubes…
but now, they are huge… really huge…

cat. nr: 710.9-cat-6

keyword: playground

As I was walking in between the library’s narrow lines of bookshelves I quickly browsed through the titles on the shelves. A book caught my eye, I don’t know why, maybe a combination of the title and the layout and what notes of association they strike. The book that caught my attention was on the bottom shelf, in-between books about african ceramics and the art of pottery. The title Fragiles in black on a white background. I instantly felt a liking for the title “fragiles”, a poetic word that suggest vulnerable and delicate objects that has to be handled with care. As I picked up the book I noticed that it was a new book from one of my favorite publishers Gestalten Verlag.

Of course. I’ve got some of their books and always find them interesting, they cross over the borders between design, graphic design and contemporary art, in a playful and inspiring way. So sitting down and opening the book I found a collection of contemporary work in porcelain, glass and ceramics by both established and emerging design talents and artists. Gesltalten Verlag always seem to have an extraordinary eye for finding the most interesting subjects of right now. Ceramics is an area with history going back to the beginning of human kind but recently new  technical developments allow designers a new approach. Collecting inspiration from the whole history of ceramics, these artist’s freely play with the language of old ceramics styles but by fully mastering that language and adopting it to new techniques they can create new unconventional objects that range from housewhare to artworks.

cat. nr:

keyword: fragile

A book I found interresting is about pyramid design in ancient Egypt. The quality of the designs created by the ancients can be very inspiring tough it may seem a bit qliché, the mystery around the monumental pyramids as a timeless form are still facinating.

The book is an old and worn pocketsized relic it self. Its plastic wrapping that is protecting the cover almost falls off as you open it. It contains lots of illustrations and groundplan sketches of pyramidstructures, materials used, design methods and tools.

cat. nr: 712.5

keyword: pyramid

I am in my mothers tummy… I am playing with myself…

I am born… i am playing with my cuddle toys…

I am 3 years old… I am playing with other children…

I am 14 years old… I am playing with boys…

I am 18 years old… I am playing with men…

I am 24 years old… I am still playing with men…

I am 32 years old… I am playing with my kids…

I am 63 years old… Am i still allowed to play?

YES, I AM…

cat. nr: -cal-2

keyword: playground